On Stage

on_kawara_documenta.jpg

In 2002, as I was still trying on various kinds of public writing, I tried to capture the transformative experience of listening to--no, experience is the better word--On Kawara's One Million Years.

That post was even titled like a screenplay: "Setting: Fredericianum, Documenta II, Kassel."

mightymac_on_kawara.jpg
image via mightymac

In April 2004, South London Gallery staged a week-long, round-the-clock marathon reading of One Million Years in Trafalgar Square. Many passersby unfavorably compared Kawara's volunteer readers in their glass box to David Blaine, who had, just a few months before, spent 40 highly publicized days in a plexiglass cube suspended from a crane next to the Thames.

david_blaine_thames.jpg

In 2009, when David Zwirner staged a reading/recording of One Million Years, Brian Sholis wrote touchingly and with great acuity about the experience of reading the years 79,936 AD - 80,495 AD with his then-fiancee.

And yet only just now, somewhere between finding Jerry Saltz's characteristically gossipy, angst-ridden account of reading in the same show, and watching this comical YouTube video of Martin C. de Waal, a Dutch club kid/stylist/Orlan-style conceptual self-portraitist and his dance remix singing partner Marina Prins [!] getting all dolled up for their reading on the open platform at the Stedelijk--the one we'd been standing on a few weeks ago--do I realize the powerful performative essence of Kawara's piece. And with less than a hundred of an anticipated 2,700+ CDs burned, it's barely even begun.

The effect of living in a post-Marina world, I suppose

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: January 23, 2011.

next older post:
Q For Institutionally Affiliated Readers Of greg.org: Res 10?

next newer post:
People Sitting In Front Of Me

recent projects, &c.


pm_social_medium_recent_proj_160x124.jpg
Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

madf_twitter_avatar.jpg
Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

chop_shop_at_springbreak
Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016

do_not_bid_or_buy_iris_sidebar.jpg
eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

shanzhai_gursky_mb_thumb.jpg
It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

therealhennessy_tweet_sidebar.jpg
TheRealHennessy Tweets Paintings, 2014 -
about

sop_red_gregorg.jpg
Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

weeksville_echo_sidebar.jpg
"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


drp_04_gregorg_sidebar.jpg
Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

czrpyr_blogads.jpg
Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

archives