September 6, 2011

I, For One, Welcome Our Black Mirror-Wielding Motion Control Camera Overlords

black_mirror_natl_gallery.jpg

So you should really read Daniel Kasman's review of the Venice debut of Mark Lewis's awesome-sounding short film, Black MIrror At The National Gallery, because Kasman is sensitive to both the tone and surprise/reveal of the film in a way that the official synopsis, oddly, does not.

Szekely_Miroir-Soleil-Noir1.jpg

But if you're not going to read either of those, I'll just say it sounds like Russian Ark meets 2001, with the Marquis de Custine replaced by Martin Szekely's silicon carbide "Black Sun" mirror, the Hermitage replaced by the National Gallery, and everyone and everything else replaced by Hendrick Avercamp's Dutch Golden Era tondo A Winter Scene with Skaters near a Castle.

avercamp_winter_scene_ngl.jpg

Sounds awesome.

Venice 2011. Art Is Terror from Any Other Angle [mubi.com]
Orizzonti - BLACK MIRROR AT THE NATIONAL GALLERY - MARK LEWIS [labiennale.org]
Miroir- Soleil Noir, 2007 [galeriekreo.fr]
Avercamp's A Winter Scene with Skaters near a Castle, 1609 [nationalgallery.org.uk]

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

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first published: September 6, 2011.

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