December 19, 2008
It just keeps going and going! From Steven Kaplan emailed with a reply from MoMA curator Christian Rattemeyer about the consciousness of edits in Fischli & Weiss's Der Lauf der Dinge: "It is his contention that many astute and observant...
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Posted by greg at
2:08 PM
December 17, 2008
I've been searching for more critical acknowledgment of Fischli & Weiss's Der Lauf der Dinge as an edited construct instead of the miraculous documentation it's normally perceived/presented to be. Though he's talking about another Fischli & Weiss piece [above],...
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Posted by greg at
4:08 PM
December 13, 2008
Artforum reports that Fischli & Weiss's 1987 film, Der Lauf der Dinge, (The Way Things Go), [1] was recently sold at Christie's in Zurich for 1.02 million Swiss francs. Which is awesome [2], I first thought, since I have...
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11:26 AM
April 21, 2008
Holy smokes, this is really wonderful. [via fimoculous]...
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Posted by greg at
9:59 PM
July 7, 2007
Walter Murch writing on BLDGBLOG:Sometime after the success of his film Blow-Up (1966), the Italian director Michelangelo Antonioni visited Manhattan, thinking of setting his next project in New York. Confused and overwhelmed by the city's visual foreignness, he decided to...
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1:44 AM
April 14, 2007
Holy smokes, I'm in like. Geoff sat down with editor/polymath Walter Murch for BLDGBLOG to discuss, of all things, the music of spheres. At least obliquely. I'd say they were Renaissance men, but as their discussion shows, the Renaissance was...
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Posted by greg at
10:34 AM
June 28, 2006
I saw this on Coudal and thought it looked familiar--I'm as much of a Murch groupie as anyone, really--then I realized I'd posted about it last year on Daddy Types. [You know how it goes, come for the womb mentions,...
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Posted by greg at
7:16 AM
September 8, 2005
I'm not the only one with a thing for the editing. Donald Sutherland tells the Guardian about what made that sex scene in Don't Look Now so, well, sexy. Hint: it wasn't Julie Christie. OK, it wasn't JUST Julia Christie:"About...
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Posted by greg at
9:21 AM
June 21, 2004
On WNYC this morning, Sara Fishko trained her typical I'm-lyrical-yet-significant gaze on Slavko Vorkapich, the Serbian experimental filmmaker who became the leading montage editor inearly Hollywood. He sought to create, not just a story, but "pure cinema," a rhythmic experience...
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Posted by greg at
2:45 AM
May 2, 2004
[via Greencine, which is a kinja of filmblogs all by itself] Brian Flemming posts about Walter Murch's blow-em-away lecture a couple of months ago at the LA Final Cut Pro Users Group. LAFCPUG has a writeup, too, and is selling...
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Posted by greg at
11:01 AM