June 5, 2009

Chris Burden's Beam Drop, &c.

Apparently, it's Chris Burden day. Kottke just posted a clean clip of Chris Burden's 1979 work, The Big Wheel, in which a massive, 19th century iron fly wheel is set into rapid motion by a little motorcycle wheel. I think...
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Posted by greg at 10:20 AM

April 28, 2009

Prayer Flag Abstraction, Also Darren Almond's Grandmother, Also

This gorgeous Darren Almond photograph, Infinite Betweens: Becoming Between, Phase 3, of an impossible-to-map landscape covered with Tibetan prayer flags is coming up at Philips in a couple of weeks. It reminded me how quietly strong his work is,...
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Posted by greg at 11:47 PM

April 25, 2009

Enzo Mari X Rirkrit Tiravanija

Untitled (Autoprojettazione, 1123 xE/1123 xR), 2004 courtesy kurimanzutto As I've said before, the first Enzo Mari autoprogettazione furniture I ever saw was by Rirkrit Tiravanija. He had tables and chairs fabricated from polished stainless steel, which his gallery from...
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Posted by greg at 5:01 PM

April 24, 2009

"Tasteful In A Lily Tomlin Sense"? Also, John Cage

In its first iteration in 1984-5, The Territory of Art I was described as "a sixteen part series of half-hour radio programs that explored issues of contemporary art and design through commentary, interviews, original drama, and new music from more...
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Posted by greg at 11:20 AM

April 16, 2009

Visiting Artist [sic], Parts 7 & 7: Robert Smithson

These are the last two segments from the lecture I gave at the University of Utah School of Art in 2007, titled Visiting Artist [sic]. They're both about Robert Smithson. The first [above] is about Smithson's own1969 slideshow lecture...
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Posted by greg at 9:19 PM

March 31, 2009

Morris, Dunkelman, Humiston

Errol Morris is unfurling another fascinating investigation of a 19th century photograph on hit NY Times blog. Today, in part 2/5, he talks with author and Civil War historian Mark Dunkelman about a breakthrough in researching the life of Amos...
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Posted by greg at 8:56 PM

March 25, 2009

Artist Tattoos I Have Not Collected

The closest I've ever come to getting a tattoo was this one, a 1992 work by Felix Gonzalez-Torres. The artist first showed this motif, a circle of dolphins that looks like it could have come from the border of...
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Posted by greg at 9:58 AM

February 24, 2009

Holy Smokes, New Yorker Films Is Closed

I can't believe it. New Yorker Films is closing after 43 years in the independent and foreign film distribution business. In the business? They were the business for decades. When I was working the projection booth at International Cinema at...
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Posted by greg at 8:45 PM

February 8, 2009

Kim's Video To Reopen In Salemi, Sicilia

The first time I finally dared go into Kim's video, I thought I was ready, so I asked why Blade Runner wasn't in the Ridley Scott section. [Yes, son, back when I was a boy, we had to go all...
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Posted by greg at 11:04 PM

November 11, 2008

As Close To Immortal As We'll Ever Get

"Writing fiction takes me out of time," he explains. "I sit down and the clock will not exist for me for a few hours. That's probably as close to immortal as we'll ever get. I'm scared of sounding pretentious because...
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Posted by greg at 9:03 AM

October 31, 2008

I Shouldn't Have Said Anything.

This morning I was buying a Diet Coke at the gas station, which forced the lady to get up from her chair by the radio. "Arlo Guthrie! I didn't even know he was still alive!" "Really! You know who I'm...
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Posted by greg at 5:38 PM

September 7, 2008

Well, I Remember The First Time I Visited The Spiral Jetty

Former NGA curator and Dia director Jeffrey Weiss writes about the state of Land Art in the latest issue of Artforum. His focus: T.S.O.Y.W., a 3-hour Earthworks road trip movie/installation by Amy Granat and Drew Heitzler shown in this year's...
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Posted by greg at 10:33 PM

August 20, 2008

Waiting For Godot Times, Thursdays At 8, 9 Central

Daniel Birnbaum in Artforum, discussing "Beckett/Nauman," a Spring 2000 exhibition at the Kunsthalle Wien The organizers of "Beckett/Nauman," Kunsthalle Wien curator Christine Hoffmann and art historian Michael Glasmeier, aren't really out to prove anything, but their juxtaposition of works by...
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Posted by greg at 11:24 AM

August 10, 2008

The Sound Of One Hand Patting Itself On The Back

Just, wow. John Cage, Merce Cunningham, Louise Nevelson, and yet the sycophancy and superciliousness of this 1974 interview in SoHo by a couple of early Interview contributors is almost unwatchable. Almost. I just watched it again:R. Couri Hay: My...
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Posted by greg at 12:00 AM

April 19, 2008

The Codicil To John de Menil's Will

In 2005, Robert Gober curated a show at the Menil Collection in Houston. In his catalogue, Robert Gober Sculptures and Installations, 1979-2007," for the Schaulager show, Gober says, "Initially, I was only interested in curating from the collection and not...
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Posted by greg at 1:21 PM

March 14, 2008

Tibet Is Next To China

My daughter got Tibetan necklaces for Christmas when she was two. I asked her if she knew where Tibet was. And then I told her, "It's next to China." image of Buddhist monks in Xiahe, Gansu province [in China]...
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Posted by greg at 11:39 PM

March 8, 2008

Angel Dust, 2000, Jeremy Blake

From "Jeremy Blake in Three Parts," written by editor/curator Bennett Simpson for PS 1's "Greater NY" show. In 2000, Blake's 20-min. digitally animated abstraction titled Angel Dust was in both the harried, hasty "Greater NY" and the Pompidou's "Elysian...
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Posted by greg at 4:10 PM

March 5, 2008

Derek Jarman's Blue and Travelex's Pink

.flickr-photo { border: solid 2px #000000; } .flickr-yourcomment { } .flickr-frame { text-align: left; padding: 3px; } .flickr-caption { font-size: 0.8em; margin-top: 0px; } blue_before and after, originally uploaded by scottburnham. In 2000 curator Scott Burnham organized a projection...
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Posted by greg at 12:10 AM

March 4, 2008

Derek Jarman's In The Shadow Of The Sun

.flickr-photo { border: solid 2px #000000; } .flickr-yourcomment { } .flickr-frame { text-align: left; padding: 3px; } .flickr-caption { font-size: 0.8em; margin-top: 0px; } It's A Longshot, originally uploaded by JPaul23. I've had Derek Jarman on the brain the...
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Posted by greg at 9:14 PM

Derek Jarman's Music Videos

While is ridiculously easy to soak in Derek Jarman's work in the UK at the moment, it's nigh impossible to find anything programmed in the US. Fortunately, one of Jarman's most easily accessible bodies of work--music videos--is also one...
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Posted by greg at 9:04 PM

January 30, 2008

Clean Flix In The Front, Underage Porn Party In The Back

Daniel Thompson, the guy behind Clean Flix, [1], Flix Club, an Orem, Utah video store that, like Clean Flicks before it, edited sex, nudity, and swearing scenes from Hollywood movies, has been arrested for paying for sex with 14-year-old girls....
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Posted by greg at 10:03 AM

October 22, 2007

It's A Small Warhol's World

I'm still looking around for anyone who gave an account of yesterday's discussion of Warhol films at the American Museum of the Moving Image. Warhol Film Project director Callie Angell and film critic Amy Taubin were supposed to "discuss the...
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Posted by greg at 11:38 PM

September 22, 2007

John Cage's Chess Pieces

I've been listening to WNYC's anniversary tribute programming for John Cage, and it's really great [if a bit over-narrated; I mean, who's going to listen to 24h33m of John Cage programming on-demand who isn't at least somewhat familiar with...
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Posted by greg at 11:44 PM

August 14, 2007

"Thanks For All The Memories/ Alright, Let's See Your Arm"

Seeing William Burrough's old Nike commercial reminded me of Burroughs' 1996 music video Thanksgiving Prayer, directed by Gus Van Sant. Classic stuff....
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Posted by greg at 12:15 AM

July 31, 2007

If I Were Jean-Luc Godard, I'd Stop Jaywalking, Pronto

today: Michelangelo Antonioni, 94, Italian Director, Dies [ap/nyt] yesterday: Ingmar Bergman, Master Filmmaker, Dies at 89 [nyt]...
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Posted by greg at 7:28 AM

July 20, 2007

Sorry, we got cut off. You were saying?

From Theresa's blog, The Wit of the Staircase:From the French phrase 'esprit d'escalier,' literally, it means 'the wit of the staircase', and usually refers to the perfect witty response you think up after the conversation or argument is ended. "Esprit...
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Posted by greg at 1:03 PM

May 29, 2007

John Cage Performing Live

This is awesome. John Cage performing "Water Walk," live on the 1960 TV quiz show, I've Got A Secret. John Cage performing "Water Walk" [youtube] John Cage on a TV Game Show in 1960 (video) [WFMU's awesome blog, with...
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Posted by greg at 12:09 PM

April 7, 2007

Antonioni's Chung Kuo

So I'm researching camera angles for an article I'm writing, and so I break out the trusty Susan Sontag, On Photography, and I finally get to the last essay/chapter, which I guess I've never read. It's the one where she...
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Posted by greg at 11:57 PM

February 6, 2007

Proof of Concept: Il Heliostat di Viganella

The idea to use a large heliostat to deliver winter sunlight to a small village deep in a valley of the Italian Alps, was a success: The mirror — 870 meters, or 2,900 feet, above Viganella and measuring 8 meters...
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Posted by greg at 9:26 AM

December 20, 2006

Nam June Paik's Early Work

I used to live downstairs from Nam June Paik. I was too starstruck to ever talk with him at length, but we had friendly chats when we'd see each other in the stairway of our Little Italy loft building....
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Posted by greg at 3:17 PM

November 21, 2006

On Robert Altman

After memorizing The Player, the visceral Short Cuts got me hugely excited for Pret a Porter. Oops. At the time, I had to learn for myself what Pauline Kael knew long ago: she "joked about his fertile seventies output that...
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Posted by greg at 9:58 PM

November 10, 2006

"One Bank": From Ethan Chandler's Greatest Hits

Even when I worked for The Mouse, I cringed and laughed at the pile-up mash-ups of corporate life and pop culture. On the rarest occasions, like with Atomic Revolution, the nuclear propaganda comic book produced by adman M. Philip Copp...
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Posted by greg at 1:10 PM

December 24, 2005

Have Yourself A Maysles Little Christmas

As I type this, the Maysles Brothers classic Grey Gardens is playing at MoMA. Unfortunately, I'm in the wrong time zone to see it, but watching those Crazy Edies suddenly seems like an excellent Christmas Eve tradition. Meanwhile, I will...
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Posted by greg at 3:34 AM

October 18, 2005

John Cage On WPS1 (And On Their Blogs)

For the 1993 Venice Biennale, PS1 produced an exhibition of and about John Cage's work calledIl Suono rapido delle cose. This week, WPS1 has added a webcast of the accompanying CD to their archive. The CD features performances by Lee...
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Posted by greg at 9:54 AM

October 5, 2005

Bill & Nada's "Always Open"

Bill & Nada's was an unassuming Salt Lake institution, a 24-hour diner ["we never close"] that sat on a downtown corner for decades, providing eggs & brains, pancakes with coconut syrup, hot coffee and a haven for folks who...
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Posted by greg at 8:37 AM

September 18, 2005

So Long, Farewell

UCLA Medical Center is the epicenter of the Los Angeles basin or something. Robert Wise died there this week at 91. In between editing Citizen Kane and flacking for Scorsese's Gangs of New York [Scorsese was a big fan, so...
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Posted by greg at 8:02 AM

February 4, 2005

Rags To Riches To Jail

Finally, the business model for the ostensibly-aspiring-to-a- Subway-sized-franchise-empire rice pudding boutique on Spring St, Rice To Riches, is explained in a way even an MBA like me can understand: it was founded with proceeds from a $21 million sports gambling...
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Posted by greg at 9:50 AM

November 26, 2004

Come See After Life at Reel Roundtable on Dec. 6

I've admired Hirokazu Kore-eda's films since seeing Maboroshi at New Directors/New Films in 1995. His 2000 film, After Life and Agnes Varda's The Gleaners and I were what finally stoked the fire under me to get me finally start making...
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Posted by greg at 8:15 AM

September 5, 2004

Zen Lawn

Driving up the foothills to my mother's house in Salt Lake City, you pass a nearly unbroken carpet of lawn, with the thickened, careful edges at the sidewalks that only result from successive generations of earnest teenage entrepreneurs. A couple...
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Posted by greg at 1:56 AM

July 19, 2004

Depeche Mode on Relationships

I remember at college in 1989 a friend proposed to his girlfriend my singing her Depeche Mode's "Somebody". At the time this seemed supremely lame to me, mostly because it was from like 1984, three albums earlier. It was a...
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Posted by greg at 11:09 AM

May 31, 2004

Geezers, Screenwriters & Directors

It's my guess that we cling to the harsher bits of the past not just as a warning system to remind us that the next Indian raid or suddenly veering, tower-bound 757 is always waiting but as a passport to...
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Posted by greg at 11:08 AM

May 6, 2004

Go See Derek Jarman's Blue at Passerby tonight

Derek Jarman's last feature film, Blue is composed of a poetic/narrative soundtrack and 79 minutes of unexposed color film, which was printed blue. It rocks. Tonight at Passerby at 8:30, Whitney video curator Chrissie Iles will explain how hard...
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Posted by greg at 5:35 AM

Nabokov's Library--and Butterflies-- Sold

Vladimir Nabokov's son and translator Dmitri has sold his collection of his father's books and memorabilia at auction. The Times has a poignant story about it. Many books contained marginalia from the author himself; most prized were those containing...
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Posted by greg at 2:12 AM

April 28, 2004

Yes, and the "World Wide Web" is the graphical portion of "The Internet."

"Certainly the show is inventive and cool looking. The voices, most done by the creators of South Park, Trey Parker and Matt Stone, are also hilarious. (Cartman's pronunciation of 'authority'ó aw-THOR-eh-tah ó is unaccountably perfect.)" - Virginia Heffernan, writing in...
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Posted by greg at 1:18 AM

April 6, 2004

Reading Quentin, my New Bestest Friend

After a night of hanging out with The Man, and sipping from the firehose of his conversation (hey, whatever it takes to get the movie made, right? ahem.), it's no surprise at all that there are fansites dedicated to picking...
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Posted by greg at 3:24 AM

February 20, 2004

Learning at Errol Morris's Knee

Last week, in the Sony Classics offices on Madison Avenue, I sat down to talk with Errol Morris, whose current documentary, The Fog of War: Eleven Lessons from the Life of Robert S. McNamara, was nominated for an Academy...
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Posted by greg at 12:03 PM

February 17, 2004

Umbrellas of Cherbourg at Film Forum

Ever since 1992, when I stumbled, completely ignorant and unprepared, into a screening of the restored version introduced by Agnes Varda ("she does documentaries or something, right?" was all I had in my head), I've been transfixed and fascinated...
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Posted by greg at 1:09 AM | Comments (0)

February 10, 2004

19th Century War Reports from Harper's

Since relaunching their website, Harper's has been posting selections from their 140+year archive. For example, "Battle Gossip," an 1861 column by Charles Nordhoff. In addition to vivid accounts of women in combat, Nordhoff writes about Napoleon III's use of balloons...
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Posted by greg at 5:55 AM | Comments (0)

January 14, 2004

John Cage Weekend at Barbican Centre

[via Kultureflash] John Cage Uncaged is a weekend of performances, films and discussions ("and mushrooms!") at Barbican Hall. Cage symphony performances are rare enough to make them not-to-be-missed events. Highlights: Friday's BBC Orchestra concert, "Cage in his American Context," (which...
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Posted by greg at 9:51 AM | Comments (0)

January 13, 2004

On "In What Language," a Different Kind of Airport Music

I'm listening to the composer Vijay Iyer and poet/rapper Mike Ladd discuss their collaborative song cycle, "In What Language," on WNYC's Soundcheck. It explores the inner lives and thoughts of people in international airports, and it rocks. Iyer and Ladd...
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Posted by greg at 2:48 AM | Comments (0)

January 4, 2004

warning: 350pp of the new Cervantes novel

has me talking/writing like a knight. I.e., half Quixote, half medieval times. oh, and all posts will be 900 pages long....
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Posted by greg at 9:36 AM | Comments (0)

December 10, 2003

Gus Van Sant's Go-to Guy

Gus Van Sant, Elias McConnell, and Dany Wolf at Cannes 2003, image: festival-cannes.com There he is, scorched in Death Valley and on the Saltflats of Utah; in a mold-closed school with a barebones crew on scooters; and on the...
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Posted by greg at 3:59 AM | Comments (0)

November 25, 2003

Agnes Varda Speaks (and shows film, of course)

[via GreenCine] Doug Cumming's got an account of Agnes Varda discussing a screening of her latest short film in Seattle. Also, an earlier bonus Varda discussion at Filmjourney. My Google Ad, which used to read, "Damn you, Agnes Varda/The Gleaners...
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Posted by greg at 3:50 AM | Comments (0)

November 8, 2003

Ennio Morricone, The Movie Music Man

In a Guardian interview, Ennio Morricone talks about composing music for films. My favorite of his theories: "The music in a film must enter politely, very slowly," like an uninvited guest at a party. [Guess they raise a more genteel...
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Posted by greg at 4:35 AM | Comments (0)

November 4, 2003

"We can easily believe that Gus Van Sant is worth ten Greenaways."

Gus Van Sant's the center of the universe, you see, or you will see, by the end of this post. [Before, I'd been forced to the alarming conclusion that the universe revolved around Norman Mailer, so you'll understand if...
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Posted by greg at 8:39 AM | Comments (0)

October 23, 2003

Whereas, Ten Hours of Polish Film is NOT an Ordeal...

I came to Kieslowski for the fateful mystery of La Double Vie de Veronique, but I stayed for the unassuming, naturalistic power of the Dekalog. This seminal ten-part series of films is playing this weekend at Symphony Space in NYC....
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Posted by greg at 11:07 AM | Comments (0)

October 3, 2003

"Kieslowski Season!" "Tarantino Season!" "Kieslowski Season!"

To explain how I came up with my Souvenir series of ultimately inter-related short films, I went into an extended discussion of Krzysztof Kieslowski's Dekalog with someone recently. Now it turns out Riverside Studios in London is screening the entire...
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Posted by greg at 2:07 AM | Comments (0)

September 16, 2003

When four Soderbergh links in a week are not enough:

Get the greg.org e-commerce fire hose ready*. I'm wrapping up Soderbergh's book, Getting Away With It, and I've rather liked it. Makes me want to see Schizopolis, one of the movies he angsts over in his journal entries. Trouble...
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Posted by greg at 11:53 AM | Comments (0)

July 14, 2003

KST:3K, KiaroStami Theatre: 3K

The Guardian's Lee Roberts reports on Iranian film godfather Abbas Kiarostami's debut stage production of the Ta'ziyeh, a compilation of classic tales of the death of Mohammed's grandson, Hussein. The plays are a traditional part of fervent religious festivals in...
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Posted by greg at 5:08 AM | Comments (0)

May 25, 2003

That Elephant in the room just won the Palme d'Or

Swearing may be better in French, but teen shooting? That's best en anglais, mon ami. Gus Van Sant just won the Palme d'Or and Best Director awards at Cannes for his latest film, Elephant, which is Columbine-esque, but actually...
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Posted by greg at 9:21 AM | Comments (0)

February 23, 2003

Now We're Gettin' Somewhere, Gerry

The compelling/amusing Super Mario Brothers: A Literary Criticism (thanks, Jason!), which puts paid to my (non-)critique of the connections between Gerry, its filmic antecedents, and SimCity-style video games....
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Posted by greg at 3:38 AM | Comments (0)

February 18, 2003

Dirt Mattress, Shirt Basket

Watch Matt Damon and Casey Affleck stagger, scramble and trudge through the desert in Gerry to forget the snow that you staggered, scrambled and trudged through to see it. If that reasoning's too circuitous for you, though, skip the...
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Posted by greg at 11:58 AM | Comments (0)

December 27, 2002

On Why We Should All Go To Austin, Texas

View from the window at Le Gras, 1826, Joseph Nic�phore Ni�pce image: Ransom Center, UT Austin Or specifically, the Ransom Center at the University of Texas, Austin: 1) to see the world's first photograph, a view out his window...
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Posted by greg at 4:28 AM | Comments (0)

November 19, 2002

Places Where It Feels Odd To Be Reading Gravity's Rainbow

It's not quite like whipping out your copy of Lolita at the playground, but it sometimes feels weird to read Gravity's Rainbow "in public." Can't say if it's the book itself, which is rather unsettling and is shot through...
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Posted by greg at 11:27 AM | Comments (0)

And I Felt A Little Paranoid Before Learning Pynchon Wrote A Musical

"Mistral Island Manuscript acquired by Univ. of Texas" According to this report from last week, Pynchon collaborated with Kirkpatrick Sale in 1958 to create a musical set decades in the future, where IBM controls the world. Sale gave "Luddite" its...
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Posted by greg at 2:40 AM | Comments (0)

October 21, 2002

Weblogging from the Pop!Tech Conference

"Great web philosopher" David Weinberger weblogged several talks at PopTech 2002, which had the theme of Artificial Worlds. From his posts, it sounded like a lot of thought-provoking fun. But what's in it for me you ask? (Me meaning me,...
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Posted by greg at 11:12 AM | Comments (0)

October 18, 2002

Mystics, Astronauts & Filmmakers, or Is Becoming Jodie Foster in Contact The Best I Can Hope For?

Palm recharging at home, I had a little red notebook with me on the train last night, and, still stuck on the entry from the other day, I wrote "Who are such mystics, astronauts, filmmakers, ?, people with a Knowledge,...
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Posted by greg at 12:20 PM | Comments (0)

July 3, 2002

How Wes Anderson influences my career (minor)

To paraphrase Max Fischer: I've applied for early admission to the Edinburgh Film Festival and Cannes. Sundance is my safety. [wesanderson.org is a good source for active fans.]...
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Posted by greg at 1:18 AM | Comments (0)

June 5, 2002

Watching Mike Mills for 90 min

When I saw an hour and a half on Sundance Channel blocked out for Meet Mike Mills, I couldn't figure out how interesting he could possibly be. 90 minutes with Scorsese, sure. But 90 minutes with Mike Mills? Naturally,...
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Posted by greg at 12:26 PM | Comments (0)

April 22, 2002

So tonight, Les Glaneurs et

So tonight, Les Glaneurs et La Glaneuse is on Sundance Channel as I come home from the gym. It's the first time I've seen it on television, not in the theater, and the image difference is quite noticeable between video-to-film...
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Posted by greg at 11:48 AM | Comments (0)