Category:projects

August 8, 2001

On location, day 2 -

On location, day 2 - Email still is spotty, dialup is only AOL. And it's hot as heck (as they say around here in rural Utah). Shooting's going well. We were up and out at 7 yesterday (Tues.) to pick up additional sound equipment (add a Sennheiser boom mike to the list of required gear.) and to find hay fields being cut, baled and loaded. (Note: It takes 3-4 days for cut hay to dry before it's baled; hauling is a couple of days later, so to get the entire process, we have to shoot several different fields.) About 80% of the fields in Mapleton were cut and baled a couple of weeks ago, so it took a little longer to find fields in process. Everyone we asked was very accommodating, letting us shoot with no reservation; the first field of guys (hauling) also pointed us in the direction of other fields being cut that day. Everyone knew my grandfather, so they were happy to help out. Jeff, my friend on camera, is pretty good at assimilating, while I basically looked like a tornado had picked me up off the street in NYC and dropped me in the field. (Note to self: leave sandals at home.)


Today, (Wed.,) we've been shooting work on irrigation ditches, the network vital to farmers as they move water around the valley. There's a water co-op here, which schedules each farmer's allocation and timing. Sometimes, a farmer'll have to be out in the middle of the night to route water through a series of locks across the valley to his field at a specified time. Today, though, the farmers we were shooting were working in the 100+ degree afternoon. We didn't need our light kit, which is a plus... the camera's rubber eyepiece cap fell into the fast-moving current of the ditch and shot away. We got it on tape. "That run right in front of your uncle Juan's house [two miles away], so you could get it back," chuckled the 80-something farmer we were following.

Tonight we're off to shoot the workers in my other grandfather's dry cleaning plant, then maybe going to the drive-in to see Planet of the Apes. IF we can log the tapes in time. Also, we've got to check the sound on one of our two mikes, so the levels sync up. Recording sound straight into the camera is easier and cheaper, but it gives you less flexibility when making changes later.

We're here in Utah, shooting. Got in last night. Two points:

1) Having been on DSL at home for so long, I didn't realize what a pain a dialup connection could be. Right now, I'm logged in through my grandmother's AOL account. This can't last.

2) It's freakin' hot (you can't swear in Utah without turning major heads). Been running around picking up sound equipment, testing filters, fixing the eyepiece on the camera. If you don't have a full time equipment person, it's going to always take extra time fixing, adjusting, and finding missing pieces of stuff.

It's two days before leaving for location shooting, and I've been wrapped up in myriad other responsibilities and projects that won't resolve. The takeaway: I've been ten minutes late all day, and it's made all the difference. (This phenomenon was portrayed in the Gwyneth Paltrow vehicle, Sliding Doors, which I didn't see.)

Waiting in line for some free theater tickets from 6:10AM until 1:30, They handed out the last tickets 55 people in front of me, and the last cancellation vouchers 5 people in front. Basically, ten minutes late. Whatever, I had plenty of time to work through shot lists, which I can assemble into a full schedule for our 4.5-day shoot.

From Central Park, it was off to B&H Video, an institution in the professional video/audio world. The store is run by a phalanx of orthodox Jews, so it's important to plan on NOT going there Saturday, when it's obviously closed. That they also close early on Friday (to be home well before the sundown start of the Sabbath) isn't news to customers, either. But who'd think they'd close at 2? Not me. I got there at 1:55, and five minutes into inputting my order of filters, polarizers, tapes, tape, and cables into the computer, the young guy helping me took off, leaving me hanging. So, back I go on Sunday...

PS Thanks for the encouraging response to the "launch" of this log. I hope it'll be interesting for you. By far the most common question from readers is, "What's the film about?" I've pointedly not put too much description of the "plot," because right now there isn't one. The subject, themes and ideas of the film should become more apparent (to you and me) as things move forward, but for now I can say that I'm planning to tell the stories of my grandparents, who are from the neighboring towns mentioned in my last post. Stay tuned, I guess, to see how that might be at all interesting as a movie.

August 1, 2001

First week of shooting is

First week of shooting is scheduled. We (the crew = Jeff and me, with another guy joining up on location) leave NYC for Salt Lake City next Monday and drive down to Mapleton. (The town has the rockin' URL, Mapleton.org. It's some Novell millionaires interspersed (or overlooking) the original farmers who built the town. Part of the Springville metropolitan area. Springville.org. These people were really on top of the domain registration thing...)


We'll shoot through Sunday in and around Mapleton and Springville. There's an art museum in Springville, thus, the nickname, Art City. Number of business listings with "Art City" in Springville: 21. [source: Anywho.com]

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Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

about this archive

Category: projects

recent projects, &c.


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Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

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Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

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Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016

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eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

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It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

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TheRealHennessy Tweets Paintings, 2014 -
about

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Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

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"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


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Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

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Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

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