
You get a taste of that Ellsworth Kelly brushstroke, and suddenly it’s all you want and all you look for, and you’re desperate for another fix, even if it’s a literal scrap of canvas.

This extraordinary 4.5 x 4 inch work is being sold as Study for Blue Yellow Red V, presumably after the number of brushstrokes it contains. The way it has pencil marks along the edge where it was cut off. The way that patch of yellow feels extraneous but is obviously not a dealbreaker, because the work is signed an assigned a spot in the artist’s catalogue raisonné (EK 761B). The way it references a monumental, triple canvas, double-dated painting which the Meyerhoffs are hanging onto for dear life. The way it was acquired directly from the artist by Henry Persche; 1987 was the 20th year since he began working as his studio assistant—was this an anniversary gift? Or just a little something to match the rug?

Persche was 26 in February 1967 when he lounged for Kelly for this sketched portrait. He donated it, along with three other drawings, to the Brooklyn Museum in 2010. The rug, from a declared edition of 20, of which only four were ever realized, he also got in 1967-68. He only sold it in 2019.