
I had to track down this photo from a 1986 New York Magazine feature and take a janky screenshot after seeing @haverst’s tumblr post of someone’s instagram post of photos of designer Willi Smith’s Lispenard St loft, designed with his friend Rosemary Peck.
Because those photos showed Dan Friedman’s Humanoid Folding Screen, but only a corner of Friedman’s Africa-shaped coffee table, and one of Christo & Jeanne Claude’s 1971 lithograph portfolio, (Some) Not Realized Projects. And they didn’t show the wooden shipping pallets Smith & Peck and some hired randos hauled up to the loft from Canal Street to use as coffee tables. [The Cooper Hewitt has a great Peck pic of one pallet. When I tell you they do not make pallets like they used to,]

And they didn’t show the enamel painting on a scavenged metal panel Keith Haring made for Smith on 31 December 1984, at a New Year’s Eve party, at all. [And which was hung sideways when it was sold at Phillips in 2019.]
As Jarrett Earnest presented in the Cooper Hewitt’s amazing COVID-era exhibition on Willi Smith, the designer had been friends with the Christo Jeanne Claudes since the early 1970s, and had collaborated with them on several of their most iconic projects. Smith made pink t-shirts and painter caps for the volunteers installing Surrounded Islands in Biscayne Bay in 1983, of which, more later.
The Cooper Hewitt’s Willi Smith — Street Couture Community Archive is an international treasure [willismitharchive.cargo.site]
Previously, related: WilliWear Showroom by SITE, 1982-87