
I cannot remember what I was searching for when I found the buck wildest things sold from the collection of quirky legend Chara Schreyer, but it was not a 13-foot long face-mounted photo of a Glenn Ligon neon sculpture.

I mean, a full-scale photograph of a Richard Prince girlfriend photo, that’s inexplicable, but at least conceptually logical, and also kind of hilarious. There was a similar full-scale photo of a Warhol car crash painting. Both the photocopies sold five months before the real [sic] things, in Schreyer’s sale at Sotheby’s.

The best, the most baffling, and the one I regret not having in my house this minute, is the 10-foot tall photo of a 1o-foot tall Rachel Harrison sculpture, sold as “After Rachel Harrison, Untitled (Sculpture with Doilies), circa 2017″. Reader, that is Harrison’s Hail to Reason, a 2004 that was first [?] shown at SFMOMA. Schreyer donated it to the museum, but not before commissioning a whole-ass, four-sided photo facsimile of it.

I got this image of Schreyer’s Harrison from the photo studio who’d been asked to make them. In.credible. This side shows the portable DVD player with the video of an auction.
Interestingly, the photo and painting photos are each made a couple of inches smaller than the originals, but the sculptures are full-scale, in prints—and photocubes—that take up even more space. There were gallery/advisor intermediaries, and the purpose of the facsimiles was not clear, only that they were works in the collection. Did Schreyer put them up when she loaned works for exhibitions? Did she have an original in one house and a copy in another? Did she install the copies in the sun and tuck the originals away for conservation reasons?
Who can say? All I know is there may be three other giant photos of a Rachel Harrison sculpture out there, and I would love to find them.