
While factchecking for a panel, I stumbled across this wild screenprint, Marlborough (Mark Rothko) (1969-70), by R. B. Kitaj.
It’s from a portfolio of 50 screenprints Kitaj made in London, In Our Time: Covers for a Small Library After the Life for the Most Part, that reproduces book covers from Kitaj’s own library. In Our Time includes some rare edition deep cuts, but overall, Kitaj seems to select covers as both aesthetic and found objects, rather than [just] for literary reference.

That means many prints that show the age and wear of covers, not just the design, which reminded me of David Diao’s painting based on his copy of a Barnett Newman catalogue, where the worn spine becomes a jagged zip.
But nothing else matched the manipulated, mirroring of this Rothko print, which seemed to have its own ghostly Rothko composition, turned sideways. Until I realized that Kitaj didn’t manipulate anything. The print depicts, not the cover of Marlborough’s 1964 exhibition catalogue, but its printed mylar dust jacket.

NGA has all 50 prints in Kitaj’s In Our Time portfolio [nga.gov]
MoMA seems to only have 47, but at least photographs the whole sheet [moma]
“Kitaj jokingly referred to these repurposed book covers as his ‘soup can.'” [buffaloakg]
The Huntington showed some In Our Time prints in 2024 [huntington.org]
Seems hard to keep a set of 50 prints together, or to get more than $200 apiece for them [rago/toomey]