Richard Prince’s Ulysses Blue

in a concrete gallery in austria, a diptych of monochrome blue the color of the greek flag in the 1920s and of the cover of the first edition of james joyce's ulysses hangs behind a sculpture made of the stripped down glossed up shell of i think a ford mustang encased in a block of concrete that fills where the engine and wheels would be. a show by richard prince at kunsthaus bregenz in 2014
Richard Prince, Untitled and Untitled (Ulysses), 2011, at Kunsthaus Bregenz in 2014, photos: Rudolf Sagmeister and Dietrich Gehring, via Contemporary Art Daily

Talking this morning with Matt, our book man in Venice, about the intense passions of collectors of James Joyce’s Ulysses, and he reminded me that Richard Prince’s own bibliophilia covered Ulysses, too.

In Prince’s birdtalk texts from 2014, there’s a bit about yearning for the copy Joyce inscribed to Ezra Pound. And another about going to Dijon to see where Ulysses was first printed, and hunting down the Greek flag blue that appeared on the cover of the 1st edition.

Which was the same moment Prince opened It’s A Free Concert, a show at the Kunsthaus Bregenz, which included a large, book cover lithograph-shaped monochrome diptych, Untitled (Ulysses), in Joyce’s—and Greece’s—blue. It’s dated 2011, so he’d had it on his mind for a while.

Previously, related: Untitled (Joyce Hartley), aka Untitled (This copy of Ulysses belongs to me, Marsden Hartley), 2025; Maurice Darantiere, Ulysses Cover Proof; At least Luigi Lucioni got his copy of Ulysses back