August 8, 2001

On location, day 2 -

On location, day 2 - Email still is spotty, dialup is only AOL. And it's hot as heck (as they say around here in rural Utah). Shooting's going well. We were up and out at 7 yesterday (Tues.) to pick up additional sound equipment (add a Sennheiser boom mike to the list of required gear.) and to find hay fields being cut, baled and loaded. (Note: It takes 3-4 days for cut hay to dry before it's baled; hauling is a couple of days later, so to get the entire process, we have to shoot several different fields.) About 80% of the fields in Mapleton were cut and baled a couple of weeks ago, so it took a little longer to find fields in process. Everyone we asked was very accommodating, letting us shoot with no reservation; the first field of guys (hauling) also pointed us in the direction of other fields being cut that day. Everyone knew my grandfather, so they were happy to help out. Jeff, my friend on camera, is pretty good at assimilating, while I basically looked like a tornado had picked me up off the street in NYC and dropped me in the field. (Note to self: leave sandals at home.)


Today, (Wed.,) we've been shooting work on irrigation ditches, the network vital to farmers as they move water around the valley. There's a water co-op here, which schedules each farmer's allocation and timing. Sometimes, a farmer'll have to be out in the middle of the night to route water through a series of locks across the valley to his field at a specified time. Today, though, the farmers we were shooting were working in the 100+ degree afternoon. We didn't need our light kit, which is a plus... the camera's rubber eyepiece cap fell into the fast-moving current of the ditch and shot away. We got it on tape. "That run right in front of your uncle Juan's house [two miles away], so you could get it back," chuckled the 80-something farmer we were following.

Tonight we're off to shoot the workers in my other grandfather's dry cleaning plant, then maybe going to the drive-in to see Planet of the Apes. IF we can log the tapes in time. Also, we've got to check the sound on one of our two mikes, so the levels sync up. Recording sound straight into the camera is easier and cheaper, but it gives you less flexibility when making changes later.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

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