August 14, 2001

[Just ignore the dates. There's

[Just ignore the dates. There's so much going on, I'm more than a little behind on the log.] On location, day 3 - We spent most of the day following around Chad, a 32-year old farmer in Mapleton. Along with his father, he works several hundred acres of land around town, including the fields he leases from my grandparents' farm. Here's what we spent the day shooting:

  • Changing the course of irrigation water: While the irrigation ditches we shot on Wednesday are concrete-lined with pop-out steel gates, the water Chad changed today was in a field with an unlined dirt ditch. He had hip waders as he took up and moved an 8' plastic tarp that served as a dam, and then he used a shovel to close the 6 or so openings in the side of the ditch that allowed water to flow into the field. It was freakin' (sic) hot (100+ degrees) with no shade. Jeff waded into the ditch to shoot, while I scampered along the bank, pushing through weeds with the boom mike (which is tethered to the camera), trying to keep up.
  • Feeding lambs in their pens: Completely deserving of their reputations as stupid animals (the theme of Babe notwithstanding), sheep are also extremely smelly. At least when they're in pens where straw and their own manure make up the groundcover. They basically stampeded around behind each other, kicking up dust. Oh, and they licked the hell out of the lens, necessitating several midshoot wipedowns.
  • Cutting grain: We followed and rode along as Chad and his 10-year old nephew cut a field of grain with a combine (Check out ebay to see what a combine looks like.), which kicked up mad amounts of dust and chaff. Their field is located right across from a small subdivision, which was built on top of an alfalfa field. All in all, it was a hot, dirty, tiring day, and I felt like a total city poseur by the time it was over.

    So after dinner, we went to Ream's, a grocery/western wear store, and bought big silver belt buckles with our initials on them. (Sure put a stop to that whole "poseur" thing, let me tell ya).

  • Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

    Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

    comments? questions? tips? pitches? email
    greg [at] greg [dot ] org

    find me on twitter: @gregorg

    post info

    first published: August 14, 2001.

    next older post:
    On location, day 2 -

    next newer post:
    I've GOT to get this

    recent projects, &c.


    shanzhai_gursky_mb_thumb.jpg
    It Narratives, incl.
    Shanzhai Gursky & Destroyed Richter
    Franklin Street Works, Stamford
    Sept 5 - Nov 9, 2014
    about | link

    therealhennessy_tweet_sidebar.jpg
    TheRealHennessy Tweets Paintings, 2014 -
    about

    sop_red_gregorg.jpg
    Standard Operating Procedure
    about | buy now, 284pp, $15.99

    CZRPYR2: The Illustrated Appendix
    Canal Zone Richard Prince
    YES RASTA 2:The Appeals Court
    Decision, plus the Court's
    Complete Illustrated Appendix (2013)
    about | buy now, 142pp, $12.99

    weeksville_echo_sidebar.jpg
    "Exhibition Space"
    Mar 20 - May 8 @apexart, NYC


    HELP/LESS Curated by Chris Habib
    Printed Matter, NYC
    Summer 2012
    panel &c.


    drp_04_gregorg_sidebar.jpg
    Destroyed Richter Paintings, 2012-
    background | making of
    "Richteriana," Postmasters Gallery, NYC

    czrpyr_blogads.jpg
    Canal Zone Richard
    Prince YES RASTA:
    Selected Court Documents
    from Cariou v. Prince (2011)
    about | buy now, 376pp, $17.99

    archives