February 2, 2005

We're Going To The Pan Pacifics, Fran!

"'We've been given the mandate to compete on a more aggressive level,' says [Paramount Classics co-pres David] Dinerstein, who also helped orchestrate the reported $2 million purchase of Mad Hot Ballroom, a Slamdance documentary widely described as Spellbound meets Strictly Ballroom."

1) One of the odd, still-annoys-me things was that Strictly Ballroom was vaguely a documentary, too. The early scenes were all "talking-head-and-captions," and then it just disappeared. Weird, edgy, or sloppy, whatever, it got him to Romeo+Juliet.
2) Every group with more than five adolescent dorks in it should get an agent, or at least look up "life rights" on Google before the cameras descend. Drill teamers, pep clubbers, band members, chess clubbers, debaters, science fair entrants, video gamers, D&D/RPG players, and incessant IM'ers, this means you.

Strictly Business
[Village Voice]

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

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first published: February 2, 2005.

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Look At Me, I'm At Art Rotterdam 2005 Feb. 24 & 25

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