Doug Ashford ended the 2009 presentation I just posted about, "Abstraction as the onset of the real," with a slide of this beautiful painting, Untitled, 1950 (May 20) by Myron Stout.
Washburn Gallery had a sweet little early Stout show in 2007, which I'd completely forgotten about. Back when he was still writing about art, NY Times chief art critic Michael Kimmelman reviewed the show:
...his mentor remained Hans Hofmann, who helped him see how to construct a purely abstract picture, while his great inspiration was Mondrian, about whom Stout observed that "the tangible and sensational world was still the raw material for the universality which he would create for himself." In other words, Mondrian, like Stout, remained firmly connected to nature and the real world.Things that happened in 2007 can seem so long ago and far away. I need to hustle up some Stouts to look at, pronto.