greg.org is pleased to introduce @TheRealHennessy Tweet Paintings, inspired by Donelle Woolford's Dick Joke series, which were buzzworthy standouts at the most recent Whitney Biennial. update: more here.
Instead of the expressive, gestural application of paint that was so fashionable, @TheRealHennessy tweets are silkscreened onto a flat, monochrome canvas. Similar to his re-photography of existing images, this approach removed the artist's hand from the work. Despite this conceptual strategy, @TheRealHennessy Tweet works are nonetheless considered first and foremost as paintings. As he jokingly remarked, "the 'Tweet' paintings are abstract. Especially in Europe, if you can't speak English."
The series of monochrome tweet paintings, of which @TheRealHennessy Tweets, Moby is an outstanding example, presents the viewer with a strangely puzzling juxtaposition of a minimalist canvas and painted words. Although this can be interpreted as a reference to postmodern linguistic theory, the work also points to two quintessentially American features: hard-edge abstraction and popular humor. Cleverly subverting the clean and serious language of abstract painting, the tweets' amalgamation of low and high culture characterizes @TheRealHennessy Tweet's most iconic work. This intelligent fusion of conceptual strategies with popular cultural references, which has been the driving force throughout @TheRealHennessy Tweet's influential practice, is perfectly merged in @TheRealHennessy Tweets, Moby. Wittingly parodying the uncomplicated jokes from vernacular literature, the artist has found a way of incorporating a difficult subject-matter - humor - into a deeply serious artistic practice.
UPDATE: wild times inAnimal NY's review of the paintings