Utopian Benches

the cover of francis cape's 2013 exhibition catalogue, we sit together: utopian benches from the shakers to the separatists of zoar, has the title printed in red over a duotone photo of the benches installed in rows. the book sits on a linen background in this photo by andrew russeth
Andrew Russeth’s photo of Francis Cape’s 2013 catalogue, We Sit Together: Utopian Benches from The Shakers to The Separatists of Zoar, via bluesky

I was surprised to have never heard of a book Andrew Russeth just called, “one of the great art books of this century.” Now I am enthralled with Francis Cape’s project, book, and exhibition of benches from America’s utopian societies.

Cape had begun researching, documenting, and reproducing examples of historical benches from several utopian communities in 2010, when Richard Torchia of Arcadia University learned of the project and proposed an exhibition.

a white walled gallery with light grey floor is filled with light from three arched windows, which shines on six rows of benches, all made by francis cape from poplar, in designs carefully documented from various utopian communities in the usa. the exhibition at arcadia university took place in 2012.
Installation view of Francis Cape’s Utopian Benches at Arcadia University, 2012, photo: Greenhouse Media via Arcadia.edu

Bomb Magazine published Rachel Reese’s interview with Cape, Torchia, and Daniel Fuller of the ICA at Maine College of Art, where the exhibition traveled after Arcadia:

FC: I was and am interested in the intent the communes share, rather than their differences. They share [an emphasis on] communal living, and with that, they chose to value sharing over individual profit or pleasure. This required a degree of separation from the mainstream, so another thing [they have] in common is their setting themselves apart physically as well as in intent from that mainstream.

As to the transformative moment, it was more the visible moment in an ongoing transformative time. It began when Bush was re-elected in 2004, and I found I could not go on making art about art. The Bush White House’s use of language to conceal rather than to reveal led me reject all falsehood: false wood in the form of the mdf I had been using; cover ups in the form of painting; and most of all, illusion. I was talking with a colleague whose thesis is that artists have found illusion to be anathema since the early twentieth century. I guess I’m a late starter.

So for the benches to be real, they had to be sat upon . . . what better way [for them to be used] than to be shared while talking about sharing?

Utopian Benches opened in 2012, and was accompanied by a small, now seemingly-unfindable publication, we sit on the same bench, a precursor to We Sit Together [published by Princeton Architectural Press in 2013], that explained each bench and the community that created and used it.

Francis Cape: Utopian Benches [arcadia.edu]
Utopian Benches: Francis Cape, Richard Torchia, and Daniel Fuller [bombmagazine]