Whew!: After a few weeks of fits and starts, a full day of editing followed by a full week of output-to-video frustration, I finally got the “finished” version of Souvenir (November 2001) on tape tonight. It’s not drastically different; in fact, it may be hard to spot the differences at all from the preview screening version. But it feels very different to me. Except that I’m kind of burned out on it tonight, I feel really good about it.
One change I’m still mulling over: a new song under the first scene. It’s called “I’m Coming Home on the Morning Train,” an acapella gospel song performed in 1942 by the Rev. E. M. Martin and Pearline Jones. While I’ve had it on CD for several years, it only occurred to me recently to try it in the movie. It turns out to have been recorded–like so many other incredible artifacts–in the field by Alan Lomax, the godson of American folk music (assuming his father John is the godfather, you see). Lomax just passed away over the weekend. Here is his obituary in the NY Times.
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the making of, by greg allen