'If Echo were as fleet...'


Paul Brodeur in Talk of the Town, The New Yorker, September 3, 1960. The abstract pretty much captures the whole, short piece:

Comment on attending Shakespeare's "The Taming of the Shrew" at Central Park's outdoor Belvedere Lake Theatre.

We noticed that many of our fellow-theatre-goers were gazing upward at the stars & summer haze of the night sky...& we followed suit. With the opening lines, we realized that they were still lost in the galaxies overhead. We again directed our attention to the stage. The lord was saying, "Thou art a fool. If Echo were as fleet, I would esteem him worth a dozen such..." & suddenly, brought rigid by the unwitting bard, we turned our gaze aloft, where, shining majestically in sunlight beyond the pale of our night, Echo 1 floated in the west. For many minutes, as the satellite traveled toward its northeast solstice, we sat with tilted head, our spirit swiveling between past myth & future myth. Then, unraveling ourself from our involvement with Echo's awesome journey, we returned to the bleachers at the Belvedere, and thence to Shakespeare's Padua, filled with reborn wonder at the mastery of man.

And it turns out Calvin Tomkins himself did a long profile in 1963 of Dr John Pierce, who oversaw Project Echo at Bell Labs. Tomkins seems to focus on what I find most mind-blowing about the Echo satelloons: the whole thing was undertaken by a tiny, informal group, without a giant industrial-scale infrastructure. It was almost ad hoc and bricolage, something akin to making, not manufacturing.

Not sure when I'm going to have the time to read that...

image: a 40-second time lapse from Autumn 1960 of the Echo I satelloon in orbit, published in an extensive "making of/launching of" article in the January 1961 issue of Popular Science magazine.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: April 12, 2010.

next older post:
Google Trike Plus One?

next newer post:
Echo I: The Making Of - Giant Clothespins

recent projects, &c.

Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017

Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

Chop Shop
curated by Magda Sawon
1-7 March 2016

eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

TheRealHennessy Tweets Paintings, 2014 -

Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots

HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.

Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

Canal Zone Richard
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99