“I can do things the traditional Hollywood route. I don’t have to try the new, unproven Internet.”
– Screenwriter Pamela Kay, leaving the new crop of screenwriting communities behind in Matthew Mirapaul’s NY Times article, “Aspiring Screenwriters Turn to Web for Encouragement”
What I hate to see/hear in historical documentaries: the expert interviewee’s super-affected use of the third person present tense. Listen to a twee example (about 2 minutes in) from NPR’s story of the song, Dixie. Obviously, I enjoyed soaking in the smug displeasure 2blowhards‘ lengthy rant about tedious PBS documentaries.
Movie Reviewers I’m Reading (for wildly different reasons): Flick Filosopher offers engaging, pretension-free, reviews and recommendations for movies and dvds. Just the ticket when you’re looking for film-as-unabashed-entertainment. (She didn’t like Thin Red Line, but her putting Buckaroo Banzai at #1 more than makes up for such a lapse.)
When anguish in a world of insufferable fools is your game, though, check out the voluminous and uncomfortably revealing user comments of one Mr Noel Bailey on IMDb. It’s lonely at the top of Mr Bailey’s bleak world, as he points out (Again! You people!) in a comment on the ur-sequel, 2010: “2001: A Space Odyssey as I suggested some time back is able to be understood and appreciated by marginally less than 5% of the world’s population. The chances are therefore, that you didn’t make it..accept that!”
Lonely and tough, even when he saw Zabriskie Point in theaters as an impressionable 24-year old: “[ZP] may be shy of ‘masterpiece’ status (mind you, who amongst is solely qualified to make THAT call?) but it is probably now, THE defining film of 70’s culture. A time when acid trips, communal living, even just plain old fashioned ‘love’ were not that easy a choice to live with!”
What with all my easy-to-live-with acid trips, my film’s “lonely solo piano” background music, and my “new, unproven Internet,” I guess I should find me a place well-nigh the bottom of that 95%.