“Mistral Island Manuscript acquired by Univ. of Texas”
According to this report from last week, Pynchon collaborated with Kirkpatrick Sale in 1958 to create a musical set decades in the future, where IBM controls the world. Sale gave “Luddite” its contemporary meaning and “wrote extensively on the political, economic, sociological, and environmental impacts of technology.”
I’m backing quietly out of the room…
Pynchon and animation: “Except maybe for Brainy Smurf, it’s hard to imagine anybody these days wanting to be called a literary intellectual, though it doesn’t sound so bad if you broaden the labeling to, say, ‘people who read and think.'” (from “Is it OK to be a Luddite? in the NYTimes.)
And Pynchon and comic books: Charles Bock’s loong, engaging ArtKrush rumination on Tolstoy, Great Art, and growing from the X-Men to, yes, Gravity’s Rainbow.)
And some (non-Pynchonian) animation links: Toon Shader, a software tool for bringing hand-drawn cel animation and computer animation together, created by Michael Arias, a CG Guru who works with Hayao Miyazaki, called the greatest animation artist ever (people at the Mouse think so, too, you know).
A Village Voice article by Anthony Kaufman about cinematographer Ellen Kuras’ ability to make beautiful DV.
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the making of, by greg allen