In BFI’s May 2004 Sight & Sound, James Bell looks at the world of British shorts. His findings: proper support is very important, but hard to come by; when you need it most, there can be no reaction at all; when they can’t get someone else to do it with, people turn to handheld electronic devices to help them shoot, then they complain that it’s “not like the real thing”; people are going online for some action; the word “gag” comes up a lot; it rarely lasts longer than five minutes.
If this sounds suspiciously like the situation in our American shorts, just remember: in the UK, the whole thing’s funded by the government. [via GreenCine]
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the making of, by greg allen