Presumably because he was made to by his editors, Andrew Pulver momentarily entertains the notion that a film directed by Madonna would somehow not be an utterly self-absorbed, epically unwatchable trainwreck:
She certainly has the strength of will to become a film-maker, too. [Jonas] Akerlund is the credited director of [the widely panned as sycophantic] You’re the Next Best Thing, but you can’t imagine a single edit got in without Madonna’s approval. And she knows the worth of a good photographer and art director, which is half the battle of film-making.
What I really want to do is not have to see or hear about another Madonna-related film project ever again.
Can Madonna beat Guy at his own game? [guardian]