Our collective understandings of shared reality are fraying. Archives are being erased. AI is flooding our digital commons to increasingly dire effect.
But only yesterday, I saw some Roni Horn glass sculptures. And I stood in their presence in an austere, if not quite nondescript, concrete space. I am saying I’m feeling very attuned right now. And I am almost 100% convinced that the pictures Christie’s is using here are computer-generated renderings.
And if I offered up my third party guarantee, I would still calculate a non-zero probability of taking delivery of a crate filled with 800 lbs of wet newspapers and a giclée print on top that said, “NO REFUNDS.”
This is why we need a video of a skateboarder jumping over it, please.
[UPDATE: have heard from correspondents at the showroom that the work is real, but the setting is fake. Amazing world we are living in.]
21 Nov 2024, Lot 5B: Roni Horn, Untitled (“The yes without the no.”), 1993, est.$800,000-1,200,000 [christies]
Previously, what does related even mean? Wade Guyton And Anxiety In The Age of Mechanical Reproduction