
John Singer Sargent made these two vertiginous paintings of orchestra rehearsals in the Cirque d’Hiver when he was in his early 20s. The wild grisaille one at the MFA Boston, tighter, and without the lounging clowns, is thought to be influenced by a similar monochrome rehearsal study by Degas, whose work Sargent knew.

The extended text at the MFA Boston makes it sound like Sargent whipped out a canvas in the middle of rehearsal and just started painting. It does look that way, though the Art Institute canvas is almost a meter tall. They’re both at the Met rn for the Sargent in Paris show.