June 30, 2008

Paperwork: Gordon Matta-Clark & Public Art


Gordon Matta-Clark's 1975 film, Day's End, is on view at MoMA right now. It documents a guerrilla project where he and a couple of collaborators cut a giant, moon-shaped hole in the wall of an abandoned sanitation warehouse on Pier 52, at the end of Gansevoort St in the Hudson River. Matta-Clark said of the necessary illegality of the project:

I had no faith in any kind of permission … there has never, in New York City’s history, with maybe one or two minor exceptions, ever been any permission granted to an artist on a large scale.
via ny mag
Day's End is also showing at the incomparable Ubu Web. [ubu]

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

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It Narratives, incl.
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TheRealHennessy Tweets Paintings, 2014 -

Standard Operating Procedure
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CZRPYR2: The Illustrated Appendix
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YES RASTA 2:The Appeals Court
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Complete Illustrated Appendix (2013)
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"Exhibition Space"
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HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
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Destroyed Richter Paintings, 2012-
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Canal Zone Richard
Selected Court Documents
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