December 17, 2008

Vik Muniz Gets Fischli & Weiss


I've been searching for more critical acknowledgment of Fischli & Weiss's Der Lauf der Dinge as an edited construct instead of the miraculous documentation it's normally perceived/presented to be.

Though he's talking about another Fischli & Weiss piece [above], artist Vik Muniz, who just curated Der Lauf der Dinge into "Creating a Rebus," his show at MoMA, nails some very relevant aspects of the duo's work:

It's about this connection between mind and matter -- how something is conceptual and formal at the same time. Fischli and Weiss are artists that I admire for this: They manage to put an enormous amount of craft into their illusions. I remember when I first saw this piece at Sonnabend Gallery, people didn't think these objects were constructed, but they are all cast pieces. It takes a lot of labor to make something look accidental."
Vik Muniz on Creating a Rebus [, image: matthew marks gallery]

update: In a short podcast with Mexican artist Pablo Helguera, Hirshhorn curator/researcher Ryan Hill mentions F&W's dissolves a couple of times, and how exhibiting the film on a loop can trap visitors who keep watching the procession go round and round. I don't know why there's no way to search, sort of link directly to the many, many podcasts on Hirshhorn's site, but here's the mp3 file []

Since 2001 here at, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting that time.

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