You know what, in my six days as a published author, out there flogging his book, I find myself thinking, again, of Cervantes and Don Quixote. I mean, I it really feels like I'm living in the Quixotian name I gave my film production company, First Sally.

The cover on the paperback edition of Canal Zone Richard Prince Yes Rasta: Selected Court Documents, &c., &c., 290 pages, $16.99
And so as I was reading Jonathan Gharraie's post in The Paris Review, I couldn't help but but note all the striking similarities between Canal Zone Richard Prince Yes Rasta: Selected Court Documents, &c., &c., my critically considered selection of Richard Prince's deposition transcripts and legal filings, and Cervantes' work. I mean just think about it:

Canal Zone Richard Prince Yes Rasta: Selected Court Documents, &c., &c. in hardcover, 290 pages, $24.99 [updated link, see below]
More info on Canal Zone Richard Prince Yes Rasta in the original post.
See a couple of sample spreads from the electronic edition.
Anyway, Gharraie sums up nicely the digital future where artisanal books still thrive in a tablet world:
If anything, I would rather have it both ways: the book and the blog; the lavish endeavor of the lovingly prepared new edition and the take-out convenience of the virtual text.And I humbly announce that the future of both art and literature is here. Now if you'll excuse me, I have to get to work on my book trailer.
APR 2011 UPDATE: The hardcover is temporarily unavailable, but there is a new, expanded softcover edition, which now contains Prince's entire deposition transcript, an additional 101 pages, plus other key legal documents. Also, it's from a new, nicer printer.
art | editing | interviews | projects | posted by greg at April 1, 2011 10:19 PM

