When we went to DIA Beacon last fall, we gave the Gerhard Richter gallery a cursory glance on the way in, and then were transfixed by it on the way out. It’s the kind of thing you have to be in the mood for, attuned to, and that seems to take some time.
Felix Salmon feels similarly, but he writes about the experience much more clarity.
Richter at Dia [felixsalmon.com]
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the making of, by greg allen