Though with their combination of Ikean sculpture, reconstituted Cold War satellites, and geodesic dome playthings, I’m now not sure I’m not actually just a random projection of their collaborative imagination.
Daniel Young and Christian Giroux began making work together in 2004. The first collaboration was Fullerene, a giant, but light mobile structure of aluminum and bicycle tires that the duo rolled around Scope Miami in 2004.
Then in 2006, they showed a trio of sculptures that took the forms [and names] of US, Canadian, and Soviet spy satellites from the 1960’s. [Quirky Canada has own laws, spy satellites!] Both the spherical Fullerene, and the satellite shapes, which were originally designed for gravity-free orbit, are pleasantly disorienting riffs on the Minimalist sculptural challenges of Judd & others, who rejected a base, thereby launching objects into space.
And then this past summer, the duo’s show at Diaz Contemporary in Toronto consisted of sculptures made from custom-fabricated aluminum boxes and Ikea tables. They’re like narrower, harder-edged, and Juddier echos of Rachel Harrison’s and Isa Genzken’s sophisticated pastiches. And I mean that in the best possible way.
Daniel Young & Christian Giroux – Work [cgdy.com via tagbanger]
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the making of, by greg allen