It will give you a clue about how old the folder is if I tell you my collection of riot gear photos is called Kiev Shields. Alas, it is ongoing. And this report about Bolognese police with clear plastic shields facing off against housing rights activists led me to this rundown of the various empty buildings in Bologna that have been occupied by squatters and protestors, including the amazing modernist house? above, on via Corticella.
The information on it is maddeningly slight. It is apparently from the 70s, and by the architecture professor Lorenzo Cremonini. It has three levels above ground, plus at least a garage below. It is 200 m^2, around a 60/90/50 split, and from the outside, it feels too proscribed to be anything other than a house.
It is apparently privately owned, so though it has been a library in recent years, then a daycare center/preschool, it was not a public building. While it was for sale for many years, it was empty when protestors briefly occupied it in March 2016. As of this past spring, it apparently houses a co-working space called Voxel.
Besides its simple, cantilevered concrete slab construction, its most distinguishing feature is obviously its supergraphic tile skin, which is fantastic at every angle. VERY of the period, yet somehow intact. That gigantic concrete canopy feels slightly too big. (Oh, but maybe not from the back, as in the photo above!) The curved section that forms the terrace railing sometimes feels like it should have been straight. Or does tile make it work? So it’s not perfect, it’s awesome.
Except for some boring presentation clips on Voxel’s facebook page, the only interior shot I have found so far is maybe this video of riot police raiding the place? Or nah, doesn’t that seem like an other library, plus the date’s wrong. Still low-key amazing how throwback the Bologna riot police are.
From the unhelpful articles I’ve found, it does seem to be “known” as the Palazzina, but I just can’t say for sure. The absence of almost any info about the building, or Cremonini, is shocking, not the kind of thing I’d come to expect in these internet days. I feel like his 1992 book, Colore e Architettura, might have more information, but it is in Italian, and in Italy. So it will have to wait a little longer.