I somehow had not seen or noticed this 1962 Cy Twombly painting, The Vengeance of Achilles, in the Kunstmuseum Zürich. And I did not see it–or anything, tbh–at the Pompidou’s Twombly retrospective a couple of years ago. But its mountain-like, or volcano-like, form is amazing. Also it’s huge, three meters tall. Most of those marks are within an arm’s reach, but some of them look like they required Twombly’s full wingspan.
Then while looking up more information about it, I realized that one of the equally huge paintings in Fifty Days at Iliam, which Twombly painted 16 years later, and which are at the Philadelphia Museum, is also titled Vengeance of Achilles. Aaaannd I guess that is not a mountain.
[10 minutes later update: Wait, what? I go Googling for some vintage Nine Discourses of Commodus reviews, only to find a Twombly biography that quotes the same Menil Collection conservation interview and the same Nicola del Roscio T Magazine profile I’ve had open in my browser tabs for three years? How did I not know this? Because it is brand new, and dropping in a couple of weeks.]
Chalk: The Art and Erasure of Cy Twombly, by Joshua Rivkin, comes out October 18. [