I am so psyched for this. I’ve been deep in another writing thing for a while and couldn’t give it the attention I wanted to when it came out. But I wrote a research note for Panorama, the Journal of the Association of Historians of American Art, and it is now available. It is the story of my six+ year search to identify all elements Robert Rauschenberg used in Should Love Come First? a collaged painting that, if it still existed, might be considered one of his first combines.
Back in the spring, when, hope against hope, a nearly blind eBay purchase yielded what I thought would be the toughest piece to find, the painted-over text that gave the work its title, I sent a snap to Michael Lobel, an art historian hero and friend who knows his way around early Rauschenberg & Weil. Because I knew he’d freak out just like I did, and he did. And then he said I should publish it in a peer-reviewed academic context, not just on the blog. And that was just intriguing and daunting enough to attempt it. And that’s what I worked on this summer.
My purpose for tracking down and buying copies of all these elements is, of course, to re-create the painting, which Rauschenberg painted over in 1953. (It still exists, in Zurich. I’ve seen it.) But now that I have (almost) all the pieces, I am stymied anew by how much I don’t know about the painting, including/especially the colors. So my re-creation project will take some more time.
But in the mean time, the amount of info that has been coming off the small pieces of paper I *have* found has been amazing. Meeting Susan Weil in the middle of this process (for another topic, and another husband) has been amazing. And getting the chance to systematically look and think and capture information in a (hopefully) clear and compelling way has been amazing. So thanks to Michael and to the folks at Panorama and to the folks at the Robert Rauschenberg Foundation. I don’t know when love should come, but I love doing this.