In 2013-16, Camille and Bill Cosby paid $700,000 to have their art collection, including Alma Thomas’s superlative 1970 painting A Fantastic Sunset, exhibited at the Smithsonian. The museum and its Cosby-funded director bravely left the show up amidst a swirling storm of criticism as reports of decades of sexual assault and lawsuits piled up and criminal charges loomed. Cosby went to jail last year, and he and Camille put up two Thomas Hart Benton paintings for sale, and as collateral for a loan.
Around the same time, or at least at some point between the close of the Smithsonian show and this week, title for A Fantastic Sunset was transferred to “A Distinguished Collector of American Art” in St. Louis. A collection that will soon be distinguished by the large, Alma Thomas-shaped hole in the middle of it. And, hopefully, by a large, fresh, untainted pile of money.