Stack(Ed.)

a felix gonzalez torres photostat work printed in white on black, framed on a wall, but from an edition made for the public art fund in which a bunch of the leftover prints were retained as a stack, a single artwork. the text reads people with aids coaltion 1985 police harassment 1969 oscar wilde 1891 supreme court 1986 harvey milk 1977 march on washington 1987 stonewall rebellion 1969
Felix Gonzalez-Torres, “Untitled”, 1989, silkscreen on paper, 16 1/2 x 21 /3/4 in., published in an edition of 250 + 10 AP by the Public Art Fund, image: Andrea Rosen Gallery via FG-T Fndn

There are two paper stack works by Felix Gonzalez-Torres where every sheet in the stack is a signed, numbered edition, and the whole thing constitutes one work. You can’t take those. [Though “Untitled”, from 1991, is made up of 161 signed prints from an edition of 250 the artist made with Public Art Fund in 1989, above. The other 89 prints, plus 10 APs, are all circulating as individual works, sold (and resold) separately.]

a felix gonzalez torres artwork consisting of an 8" high stack of 14 in sq paper embossed with a ring of dolphins, a motif felix used several times that feels like it would be found on a greek kylix or something, anyway this paper is in an archival storage box of grey cardboard on a grey concrete floor
“Untitled”, 1990, embossed paper—that’s a ring of dolphins, btw—in archival box, 8 x 14 x 14 in., ed 12+5AP, image: Brandon Wickencamp/Andrea Rosen Gallery via FG-T Fndn

There is one paper stack work that was published as an edition of stacks: 17 8-inch tall stacks of embossed paper in archival boxes. You can’t take those, either. [Unless? HMU?]

an untitled felix gonzalez torres artwork of a stack of 8.5 x 11 inch paper printed with a pale blue rectangle almost to the borders, sitting on a featureless grey floor, an artwork not sold at sothebys in 2023.
“Untitled”, 1991, light blue printed on white paper, 3 1/4 in. ideal height, 8 1/2 x 11 in sheets, the Artist Proof, selling as lot 444 at Sotheby’s on 16 Nov 2023, from the estate of Chara Scheyer

And there are two classic paper stack works, with endless supplies of paper and ideal heights, etc., that were created as editions. Which is distinct from a stack being able to exist in two or more places at once; in this case, an edition is about the number of owners, not the number of stacks. One, “Untitled” (Ross in L.A.), is an edition of three, though there’s only one out there: the de la Cruzes gave one to what’s now ICA Miami, and the Raleses gave one to the NGA.

The other is “Untitled”, above, which is an edition of 1 plus an artist proof Felix gave to Michael Jenkins, an artist, friend and collaborator. [Their two-person show together in 1991 at Xavier Hufkens in Brussels included “Untitled” (Ross in L.A.) and Felix’s text portrait frieze of Jenkins, but not the stack they made together the year before with a naked sailor on it, “Untitled” (Join), which the Rubells whip out all the time.] Anyway, Chara Scheyer bought Jenkins’ little stack a while ago, and now it’s back. If there’s a more manageable stack out there, I haven’t seen it. [update: it was withdrawn!]