Cold, drizzly Sunday afternoon=prime logging

Cold, drizzly Sunday afternoon=prime logging (and weblogging time). Here is some real-time video screening/logging before I run over to my in-laws' apartment:


Tape 4: Closeups of my grandmother's photographs. Jeff's idea was to have her hold them rather than just to shoot them on their own, Ric Burns-style. Great images, nicely framed with her hands and sweater popping in from time to time. We can insert these cuts in her discussions of the various pics. One bummer: she'd tell some stories while we were shooting the photos, too (she was still miked up); some of these stories got cut off when Jeff'd stop taping a photo and request the next one. We weren't aware enough of what we were getting, I guess.


Shooting along an irrigation ditch, the first one. It was concrete lined, so the water ran much more quickly. Jeff (the cameraman) was straddling the ditch. Several great shots, useful for voiceover, narrative breaks, whatever. Then he suddenly swears at the camera. He flips around, looking through the camera as the rubber eyepiece rushes downstream. "Sht, sht sht," and then there's me busting up laughing, knowing that this eyepiece, which never seemed to stay on anyway, wouldn't be bothering us anymore. A slight, old guy with a straw hat and shaded clips on his glasses comes over to see what's up. "That water comes out over to Center Street, if you want to go catch it," he offers wryly.


First interior shots of one of the dry cleaners. A lot of tight, well-framed images of the various equipment stations, the clothes racks, etc. No people, really. (There were only two working at the time, and we'd made plans to go back the next morningto capture the hubbub.) Reminds me of shots from a smaller, less monumental Jane and Louise Wilson video.


gotta run.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: December 9, 2001.

next older post:
An intense article by Dennis

next newer post:
Got back last night from

recent projects, &c.


our_guernica_cycle_ivanka_320px_thumb.jpg
Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017


pm_social_medium_recent_proj_160x124.jpg
Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

madf_twitter_avatar.jpg
Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

chop_shop_at_springbreak
Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016

do_not_bid_or_buy_iris_sidebar.jpg
eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

shanzhai_gursky_mb_thumb.jpg
It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

therealhennessy_tweet_sidebar.jpg
TheRealHennessy Tweets Paintings, 2014 -
about

sop_red_gregorg.jpg
Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

weeksville_echo_sidebar.jpg
"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


drp_04_gregorg_sidebar.jpg
Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

czrpyr_blogads.jpg
Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

archives