Editing: Final tweaks over the

Editing: Final tweaks over the weekend to get a distortion-free output version has now deteriorated into a major structural problem with Final Cut Pro. If I didn't have so much other stuff to occupy my mind, I'd be worried sick. The program shows that a dozen+ audio files are missing AND that they're required to play the finished sequence, even though they're not in the sequence. IDGI. Anyway, I've started going through every file, recapturing those that are in the movie, and deleting those that aren't. It's going to be a long week. And the submissions clocks are still ticking.


Submissions: Got a dear auteur fax from Quinzaine Realisateurs. Maybe I don't want people who don't know me to see it after all...


As I'm sitting here working, Rushmore is just ending on Comedy Central. Freakin' amazing. What IS that movie? I'm glad I didn't see it right before meeting Wes Anderson last week; id've been a blubbering idiot fan. As it is, I'm no more likely to EVER make a movie like that (at one end of the spectrum) than I am to make Weekend at Bernie's II (at the other). No prob.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

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first published: April 16, 2002.

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Madoff Provenance Project in
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It Narratives, incl.
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TheRealHennessy Tweets Paintings, 2014 -
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Standard Operating Procedure
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CZRPYR2: The Illustrated Appendix
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Destroyed Richter Paintings, 2012-
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