Whew. Observations from the WTC Memorial public forum

The LMDC held a forum for the public to tell WTC Memorial Competition jurors what kind of memorial they want, and how to make it relevant to future generations. [Check here for an archived webcast.] In the 1,000-seat auditorium, approximately 500 seats were filled, 300 by firefighters and their families, who clearly came to the meeting with an impassioned, cohesive message: rescue workers must not go unrecognized in the memorial. Let me come back to this.

  • This, my first-ever public WTC event, was emotionally exhausting. Whatever effects I may still feel from the attacks, it pales in comparison to the formalized anguish that is central to Ground Zero Process veterans. It plots somewhere on the scale between consuming and addictive.
  • Nearly everyone was representing, reading from prepared (and, once their affiliation was known, largely predictable) statements. Twice, though, when rancor seemed ready to spill over, unscripted and wrenching comments from a family member silenced the room.
  • What can sometimes seem like another bullet point on the Memorial Guidelines suddenly felt like the memorial's very essence: for at least a quarter of the families the WTC site will be the only grave they will ever have. "Give us somewhere to go."
  • Because of the nature of their daily lives, firefighters and their families are more pre-something...prepared, I guess, for sudden (but not entirely unexpected) loss. Their culture is fiercely attuned to it. Other such "cultures" can learn from them how to come together and mourn and remember. But I think the ultimate unifying factor for all the people killed is not victim, target, rescuer, hero. It's daily life. These people were killed (or injured, or they made it out or sacrificed themselves for others) while living whatever lives they chose, and the memorial should reflect that.

    [I said as much when I decided to make an impromptu statement; it's a little over two hours into the stream. Details later.]

  • Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

    Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

    comments? questions? tips? pitches? email
    greg [at] greg [dot ] org

    find me on twitter: @gregorg

    post info

    first published: May 28, 2003.

    next older post:
    Puttin' the W into WMD

    next newer post:
    Note: Despite appearances, this is not a Matrix plot point

    recent projects, &c.


    our_guernica_cycle_ivanka_320px_thumb.jpg
    Our Guernica Cycle, 2017 –
    about/kickstarter | exhibit, 2017


    pm_social_medium_recent_proj_160x124.jpg
    Social Medium:
    artists writing, 2000-2015
    Paper Monument, Oct. 2016
    ed. by Jennifer Liese
    buy, $28

    madf_twitter_avatar.jpg
    Madoff Provenance Project in
    'Tell Me What I Mean' at
    To__Bridges__, The Bronx
    11 Sept - Oct 23 2016
    show | beginnings

    chop_shop_at_springbreak
    Chop Shop
    at SPRING/BREAK Art Show
    curated by Magda Sawon
    1-7 March 2016

    do_not_bid_or_buy_iris_sidebar.jpg
    eBay Test Listings
    Armory – ABMB 2015
    about | proposte monocrome, rose

    shanzhai_gursky_mb_thumb.jpg
    It Narratives, incl.
    Shanzhai Gursky & Destroyed Richter
    Franklin Street Works, Stamford
    Sept 5 - Nov 9, 2014
    about | link

    therealhennessy_tweet_sidebar.jpg
    TheRealHennessy Tweets Paintings, 2014 -
    about

    sop_red_gregorg.jpg
    Standard Operating Procedure
    about | buy now, 284pp, $15.99

    CZRPYR2: The Illustrated Appendix
    Canal Zone Richard Prince
    YES RASTA 2:The Appeals Court
    Decision, plus the Court's
    Complete Illustrated Appendix (2013)
    about | buy now, 142pp, $12.99

    weeksville_echo_sidebar.jpg
    "Exhibition Space" @ apexart, NYC
    Mar 20 - May 8, 2013
    about, brochure | installation shots


    HELP/LESS Curated by Chris Habib
    Printed Matter, NYC
    Summer 2012
    panel &c.


    drp_04_gregorg_sidebar.jpg
    Destroyed Richter Paintings, 2012-
    background | making of
    "Richteriana," Postmasters Gallery, NYC

    czrpyr_blogads.jpg
    Canal Zone Richard
    Prince YES RASTA:
    Selected Court Documents
    from Cariou v. Prince (2011)
    about | buy now, 376pp, $17.99

    archives