Blessed are the Filmmakers

Crucifixion set from The Passion, image: sassiweb.it
OK, one more post about Mel's mammon from heaven, The Passion:

The Guardian reports on the miracle of Matera: Gibson raised the Italian hilltop town from the economic dead when he chose it as the main location for filming.

And Blessed are The Extras, for they shall obtain EU60-90/day
Not only were 600 of "the swarthiest" locals picked as extras in the film, but the town has been born again as a Christian tourist site. Antonio Foschino documents the local production of The Passion on his website, Sassiweb.it--The gregorio.org of Matera, he provides a Passion Package Tour; book early.

At least until high season starts, the town's hotel maid won't charge you a euro to tell about helping Gibson convert the minibar in his suite into a prayer altar. But at the site of the crucifixion scene [above], enterprising craftsmen are already stockpiling hand-carved Matera/Golgotha paperweights, the perfect complement to those Nativity Stone crosses you bought from Ricardo Montalban. [While supplies last. Supplies of rocks in Italy.]

Did Gibson's inspiration for shooting in Matera come from Richard Gere, who made King David there, or from the last Christ movie to be shot in town, Pier Paolo Pasolini's [ who the Guardian gleefully calls "a gay, Communist atheist,"] Gospel According to Matthew? Who knows? But Mel did describe his reaction the town had on him: "The first time I saw it," he said, "I just went crazy, because it was so perfect."

Amen, brother.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: April 4, 2004.

next older post:
Artifacts and Space at WTC

next newer post:
2004-04-12, This Week in The New Yorker

recent projects, &c.


our_guernica_cycle_ivanka_320px_thumb.jpg
Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017


pm_social_medium_recent_proj_160x124.jpg
Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

madf_twitter_avatar.jpg
Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

chop_shop_at_springbreak
Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016

do_not_bid_or_buy_iris_sidebar.jpg
eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

shanzhai_gursky_mb_thumb.jpg
It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

therealhennessy_tweet_sidebar.jpg
TheRealHennessy Tweets Paintings, 2014 -
about

sop_red_gregorg.jpg
Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

weeksville_echo_sidebar.jpg
"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


drp_04_gregorg_sidebar.jpg
Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

czrpyr_blogads.jpg
Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

archives