Profit And/From Pain

Charles Thomas Samuels ["S"] interviewed Michelangelo Antonioni ["A"] in Rome in 1969. I finally figured out the occasional non-sequiturish statements in the transcript were originally photo captions.

S: In an interview I had with him, John Updike said something that fascinated me: "Being an artist is dangerous because it allows one to turn one's pain too quickly to profit."

A: I couldn't use that phrase today-"being an artist"-as if that were something exceptional. And if somebody transmutes his pain into profit, very good. I find that the most wonderful way to kill pain.

S: Why do you say "today"? Could you have used the phrase "being an artist" in some other period?

A: Yes, of course. I think that during the Renaissance everything was influenced by art. Now the world is so much more important than art that I can no longer imagine a future artistic function.

S: But today what is the function?

A: I don't know.

S: You don't know?

A: Do you?

S: Yes.

A: Then tell me.

S: You want me to tell you what the function of art is! No, you tell me what you think of Francois Truffaut.

A: I think his films are like a river, lovely to see, to bathe in, extraordinarily refreshing and pleasant. Then the water flows and is gone. Very little of the pleasant feeling remains because I soon feel dirty again and need another bath.

Interview with Michelangelo Antonioni in Rome, July 29, 1969
by Charles Thomas Samuels
[zakka.dk via greencine]

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

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first published: August 2, 2007.

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