November 2015 Archives

November 30, 2015

Starr/Bach's

Ringo Starr and Barbara Bach are decluttering and downsizing, from Monaco/Surrey/Snowmass/Beverly Hills to LA and a London apartment. Nearly 1400 lots of furniture, art, clothing, memorabilia, and borderline boot sale junk will be auctioned this week in LA. Here are some of the things:

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First up, Lot 79, Originally John Lennon and Yoko Ono's Refectory Table [est. $5-7,000, sold for $19,200]

"'This refectory table was left at Tittenhurst by John and Yoko when I took over the house. Enjoy!' - Ringo." That would be in 1971. Tittenhurst Park was outside London. Starr sold it to the Emir of Abu Dhabi in 1988, but took the table with him. Hey, here it is in the living room of Rydinghurst, Starr & Bach's Jacobean estate in Surrey, which they put up for sale last year. Look at how they lay down a Google-like blur on the artwork in estate agent photos.

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And speaking of tables, what is up with that coffee table? It's big and moon-shaped and filled with gazing balls. Or giant Christmas ornaments? I cannot tell, and the designer Ringo Starr doesn't weigh in this time.

Lot 351, Moon Coffee Table Designed by Ringo Starr [est. $1,000-2,000 sold for just $1,920]

ringo_gazing_balls.jpg

And speaking of gazing balls, holy smokes. Lot 608, Two Monumental Gazing Spheres [est. $3,000-5,000] They're from Rydinghurst, and each one is 36 inches across. Let's see Jeff Koons try to handle those. [WHAT, sold for just $1,920? Why didn't you ever get back to me with the condition report??]

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And finally, speaking of satelloon-looking things, Lot 411, Galaxy Theme Platform Bed [est. $800-1,200] "'When we bought the house in 1992 in LA, we had this bed made so we could sleep under the stars and moons, and surrounded by the stars and moons.' - Ringo." Will the presumably LA-based Master Of The Ringo Starr's Bed Starscape with the initials SWG please come forward and take a bow? [Yes, well, sleeping in Ringo and Barbara's bed? Priceless, but apparently they'll take $875.]

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Lot 1005, **RINGO STARR'S UK 1st MONO PRESSING WHITE ALBUM NO.0000001 [est. $40-60,000]

Oh wait, no, one more: It turns out Ringo got the first numbered copy of the White Album, and he put it in a vault. Now it is selling for at least $55,000. What a world. #monochrome [WHAT A WORLD INDEED: $790,000.]

Property from the Collection of Ringo Starr & Barbara Bach, 12/03/2015 [julienslive via jjdaddy-o]

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Untitled (141831674795), formerly known as: Beer statue TEST - DO NOT BUY

I haven't written much about the eBay Test Listings project here since eBay shut it down and forced it into a different configuration. I'm happy to have it exist primarily on eBay, where it conspires against itself, making success and failure interchangeable.

TEST LISTING ONLY - Please Do NOT Bid_006_4.GIF
ceci n'est pas 600px: just noticed it's actually 500px

They don't search well. The titles are opaque. The pricing across the series makes people wonder. And after surfing through the 800 even less expensive items in the "photographs > directly from artist" category, it turns out these aren't always even the most eye-popping.

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So it really does come back to their unique situation, unlike literally every other thing on eBay: they were specifically made and chosen to not be sold. To not be found, and to not be found attractive. At least to a bidder or buyer. Yet they are still made and chosen in some way, for some surpassing reason beyond their function. [An image is required for every eBay listing, even a test listing with nothing to sell.] And so I'm intrigued by the otherwise invisible images made by otherwise invisible people, which are intended to be seen by no one but themselves and maybe their colleagues, and their bots.

Really I just wanted an excuse to post that [bear+deer=] beer statue picture.

eBay Test Listing prints for sale, only through Art Basel Miami, though [ebay]

Previously, all eBay Test Prints-related posts, in chronological order:
7 March 15: Untitled (DO NOT BID OR BUY)
18 March 15: Proposte monocrome, ebay, rose
16 April 15: DO NOT BID OR BUY Meets DO NOT LIST OR SELL [includes CR]
7 May 15: eBay Test Listings, Reviewed
30 July 16: New eBay Test Listings Prints
10 September 15: Prince & Prints at Internet Yami-Ichi 9/12

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"Untitled" (L.A.), FKA "Untitled" (Rossmore) image via christies

Howard Rachofsky bought Felix Gonzalez-Torres' 1991 candy pour, "Untitled" (Rossmore)" in 1998. It consists of green wrapped candies spread on the floor with an ideal weight of 50 lbs. That was presumably the title when Ranbir Singh purchased it in 1991, and when he sold it in 1998, even though the 1997 catalogue raisonne lists it as "Untitled" (L.A.). [Another candy pour from 1991, also with green candies, but an ideal weight of 75 lbs., bears the orphan title "Untitled" (Rossmore II).] Rachofsky loaned his pour to the Modern Art Museum in Fort Worth, and exhibited in a bathtub of his Richard Meier-designed house.

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Felix Gonzalez-Torres, "Untitled" (L.A.), 1991, as installed in Howard Rachofsky's tub, image by Andrea Duffie via forthworthanewperspective

Rachofsky and his wife donated or pledged the house and much of his collection to the Dallas Museum in 2005-Cindy Rachofsky specifically mentions the Felix piece in this interview-so it's frankly baffling that he sold "Untitled" (L.A.) last week at Christie's, even if it did bring $7.7 million. But DFW's loss is Bentonville's gain.

ArtNEWS reports the buyer of "Untitled" (L.A.) is Alice Walton's Crystal Bridges Museum of American Art. I would imagine that the politics of the Wal-Mart heir would have pissed off and/or inspired Felix to no end. But after re-reading his 1995 interview with Rob Storr about politics and culture and audience, and how he wanted to operate like a spy, I think he'd see the acquisition of his work by Crystal Bridges as a triumph. He has successfully infiltrated the beating red state heart of America's conservative plutocracy.

Of course, in the 20 years after the artist's death, the cultural terrain has shifted, and if it doesn't exactly end up being the wrong one, the mountain Felix scaled offers views of still higher, more difficult peaks.

And so it occurred to me almost instantly to make another piece, inspired by Walton's "Untitled" (L.A.) acquisition: "Untitled" (Crystal Bridges) consists of Wal-Mart money, free for the taking and endlessly replenished, with an ideal installation weight of 50 lbs. It could be a pour, but it probably works best in Felix's other trademark form, as a stack piece. It looks a bit like "Untitled" (Passport #II), but with cash instead of little booklets.

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"Untitled" (Passport #II), 1993

A US banknote weighs just under a gram, so 50 lbs is around 25,000 bills. They should all be of the same denomination, whether it's singles ($25,000) or $100s ($2.5 million), as long as there is an endless supply.

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$207 million of Sinaloa drug cartel cash weighed 4,500 lbs, not an ideal weight for the sculpture, but I'll leave that to the owner's discretion.

Since the Walton family only has $147 billion right now, they'll have to manage the installation with an eye on both ROI and replenishment rates. I'm sure they can do it.

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image of 1M Hauly from SDR Traveller

I've rebooted Felix works before, but I think the idea for this piece crystallized so immediately because I'd been primed to consider the spatial implications of a million dollars in cash. Just a few days ago, Michael Sippey tweeted about the 1M Hauly, a high-performance duffel bag by SDR Traveller optimized for the secure, discreet transport of $1 million, in 10,000 $100s.

1M_Hauly_SDR_Traveller_dirty_money.jpg
fat v. flat, via SDR Traveller

Turns out used, street, dirty money takes up as much as 40% more space than crisp, fresh bank product, but the 1M Hauly can handle it all. When strapped, 10,000 bills fits into a 20.4 lb cube 18x12x6 inches. So if it were stacked, "Untitled" (Crystal Bridges) could be an 18x18-in square about 10 inches high. It's an adorable scale, domestic, almost intimate, which will provide endless [sic] enjoyment and engagement for museum visitors. As long as they don't get too grabby. And as long as the Waltons don't go broke.

[I haven't exactly asked, but I bet SDR Traveller would be willing to discuss the commission of a custom-sized travel bag for "Untitled" (Crystal Bridges). Interested collectors should get in touch with me for details.]

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uncut sheets of new $100 bills at BEP in 2013, image: AP/LM Otero

UPDATE: OR, maybe there is another way. Uncut currency sheets sell for a premium from the Bureau of Printing & Engraving, but they'd really give the piece a Felixian feel. The ideal height for a stack of 32-note sheets like the ones above would be about 775 sheets, about 6 inches. The BEP online store only has 16-note sheets, though, for $1,800 each. See if you can get a volume discount, or a subscription.

Previously: On Politics and Art
suddenly related: "Untitled" (Orpheus, Twice), 2012

November 7, 2015

RPFleaMarket

doeringer_300x404_rpfleamarket.jpg

A few weeks ago Eric Doeringer asked me to contribute to a project, RPFleaMarket, that poured Richard Prince-related appropriation objects into the eBay mold of Rob Pruitt's Flea Market. It's pretty awesome, and like Rob's own joint, everything comes with an autographed photo of the item for sale.

So if a never-released Untitled (300x404) proof printed on aluminum is not enticing enough for you, this one comes with a glossy 8x10 photo of it, suitable for framing!

There are also a couple of one-off hand-altered editions of the Cariou v. Prince documents, and a whole host of interesting objects, artifacts, publications, and LMAO IDKs. Check it out on Eric's eBay page.

Cowboy Photograph by Greg Allen [sic] not RICHARD PRINCE Appropriation RPFleamarket, current bid $45.44, ends Nov. 12 [ebay]

November 4, 2015

More Vine, More Fig Trees

I have not touched on my Hamilton amazement here yet. I figured I'd save it for the review, which would follow soon after getting tickets. [insert gif of endless horizon retreating from me.]

But I have to write about one place in the score that tears me up, when Chris Jackson sings George Washington's final address over Lin-Manuel Miranda's Hamilton, who reads it aloud:


[WASHINGTON]
...Like the scripture says:
"Everyone shall sit under their own vine and fig tree
And no one shall make them afraid."
They'll be safe in the nation we've made

I want to sit under my own vine and fig tree
A moment alone in the shade
At home in this nation we've made
One last time

...

I anticipate with pleasing expectation
that retreat in which I promise myself
to realize the sweet enjoyment of partaking,
in the midst of my fellow-citizens,
the benign influence of good laws
Under a free government,

the ever-favorite object of my heart,
and the happy reward, as I trust,
Of our mutual cares, labors, and dangers.

Emphasis added for the lines that just do me in every time, even as I type about them now, as I think about the millions of people who don't feel safe in this nation we've made, or who find suffering, injustice, or even death, under the far-from-benign influence of our laws and government.

george_washington_farewell_manuscript_p32.jpg
image: from the final page of the final manuscript of George Washington's Farewell Address, via gwpapers.virginia.edu

This was literally the kicker of Washington's parting address, his wrap-up, his mic drop. And to look around at this mess we've made, the Founding Fathers'd be like smdh.

One Last Time, from Hamilton [youtube, lyrics via genius]
Buy Hamilton (Original Broadway Cast Recording)(Explicit)(2CD or MP3) [amazon]
[note: fwiw, when I bought the album, I ended up swapping out the explicit tracks with the broadcast-safe versions I ripped from NPR. You know, for kids.]

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

about this archive

Posts from November 2015, in reverse chronological order

Older: October 2015

Newer December 2015

recent projects, &c.


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Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017


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Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

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Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

chop_shop_at_springbreak
Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016

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eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

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It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

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TheRealHennessy Tweets Paintings, 2014 -
about

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Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

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"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


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Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

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Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

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