Do You Know Who I Am?

Artforum's William Pym covering the extremely non-chalant X-Initiative opening this week:

Jordan Wolfson, hovering by Barcelona's Latitudes, took several prods before he could even remember that he was participating in a group show with healthy buzz opening at I-20 Gallery round the corner later in the week. Eventually waking up to the idea that he was a professional artist talking to a writer, Wolfson pointed at a nearby projector. "I lent that to them," he volunteered with a goofy puff of pride. "That's my claim to fame."
International Association of Art Critics cardholder Tyler Green twittering his way through the museums of New England:
So much attitude from admissions staff. MFA needs to train them on AICA members. Geez.
10:04 AM Jun 22nd from UberTwitter


At Worcester Art Museum, where admissions person tried to keep me out. Train the staff on accredited press, WAM...
10:00 AM Jun 21st from UberTwitter

Me at Larry's, for John's late Picasso show last month:

Me: I wonder if you can tell me about the documentary screening in the corner gallery?

Gallery attendant: No.

Me [flummoxed]: I mean, is there any information ab--

Attendant: No, there isn't.

Me, [baffled]: Is there someone who does know who I can ask, I'm just interested to find out who prod--

Attendant: No, there isn't anyone.

Me [weighing whether to ask for people at 24th street by name, or whether to just do the cold, "Do you know who I am?" and then deciding against it, since she clearly doesn't give a flying $#% who I might be, and why should she, there's only like three of these paintings for sale, and my question isn't even remotely on the trajectory for someone who might want to buy one, and can't I just go dig up the early 70's Picasso filmography onilne anyway?]: Ooo Kaay. Thanks.

It occurs to me that we invariably bring a cartload of subjective baggage along with us when we see art, and often we're only vaguely aware the extent to which that subjectivity and expectation colors--no, it's more than that, it shapes and molds and transforms--our experience.

Whether we see as an artist or a collector, a curator or a trustee, a flaneur, a writer/critic/journalist, a complete civilian, if such a thing is possible anymore, makes a difference.

And when I couldn't find it online, I made a quick call, and some very helpful folks at Gagosian told me the film was Picasso: War, Peace, Love, (1970), by the artist's long-time friend, photographer Lucien Clergue, and that it was originally produced in 1968 for Condor Films, in Zurich, as Picasso: Krieg, Frieden und Liebe.

I've got to remember to add it to IMDb.

Since 2001 here at, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

about this archive

Posts from May 2016, in reverse chronological order

Older: April 2016

recent projects, &c.

Chop Shop
curated by Magda Sawon
1-7 March 2016

eBay Test Listings
Mar – Dec 2015
about | proposte monocrome, rose

It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

TheRealHennessy Tweets Paintings, 2014 -

Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

"Exhibition Space"
Mar 20 - May 8 @apexart, NYC

HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.

Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

Canal Zone Richard
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99