What I Looked At Today: Kabinetstukken


So lately, I've been thinking a lot about The Dutch, and their politics and art. The Rijkshuisstijl and 1 Logo Project, which redesigned and centralized the Dutch government's visual identity, which happened to coincide with political shifts to the right, and swelling anti-Muslim intolerance, and suddenly, drastic budget cuts meant to cripple or destroy the liberal and visual arts establishment in the country. And a visual identity which ironically derives its central element, a 21-color palette, from the light and landscape as seen in Dutch Golden Age paintings.


And so of course, I have been thinking hard, still, about Vermeer painting his serene scenes in the midst and aftermath of a continent-wide, generations-long religious war.

And then someone, I can't remember who, pointed last week to Morgan Meis's discussion from Antwerp of Frans Hals, who was treading fine religious lines to make his proto-modernist paintings in a Dutch/Flemish culture where painting itself had become highly, politically and theologically charged.


So I went to the National Gallery, where their Vermeers are tucked away in the Cabinet Galleries, a series of three tiny rooms carved out of a forgotten storage space in the mid 1990s. The scale approximates the collection rooms in 17th century Dutch & Flemish homes for which the small paintings were originally created.

Bouquet of Flowers in a Glass Vase, Ambrosius Bosschaert the Elder, 1621, via nga

Here are three little paintings of a type I would have barely glanced at or ignored, if it weren't for my peculiar Dutch color palette fixation: I mean, right? Still lifes of flowers and fruit? And yet they really are pretty amazing. And then you think about where and when and why they were made. According to the Cabinet Galleries brochure, which I had never picked up, such tiny paintings [7x9, 8x12] were called kabinetstukken, cabinet pieces.

The center painting, Bouquet of Flowers in a Glass Vase, was made in 1621 by Ambrosius Bosschaert the Elder. The NGA says without elaboration, "Bosschaert, who was born in Antwerp, moved to Middelburg after 1587 for religious reasons." He was 14 at the time.

Basket of Flowers, 1622, Balthasar van der Ast, image: nga

This pair of kabinetstukken by Balthasar van der Ast apparently hung in the private chamber of Amalia van Solms whose husband Frederik Hendrik ruled over the Protestant Netherlands his father William of Orange fought to establish.

Basket of Fruits, 1622, Balthasar van der Ast, via nga

They are listed as gifts of Mrs. Paul Mellon.

Previously: the first What I Looked At Today included bigger, flashier Dutch painting: Van Dyck, Cuyp, etc.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: August 31, 2011.

next older post:

next newer post:
Blade Runner: The Making And Damage-Controlling Of

recent projects, &c.

Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017

Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

Chop Shop
curated by Magda Sawon
1-7 March 2016

eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

TheRealHennessy Tweets Paintings, 2014 -

Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots

HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.

Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

Canal Zone Richard
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99