July 14, 2012

Mike Mills Photo-Murals

mike_mills_murals_thehundreds.jpg

So I start looking around for installation/shop shots of Aaron Rose's Storage Unit Fire Sale, which just opened at Known Gallery in LA, and what's the first thing I see? At The Hundreds?

That's right, not decks or kicks or posters. Photomurals. By Mike Mills.

They're vinyl prints, of course, as most giant images are these days, but they are rather awesome nonetheless.

Except technically, they're not by Mills, but of him, spraypainting his messages in his suit. There's "Let's all be human beings," and "Stop Hiding." I called about them, and learned there's are some other ones, "Love is worth it," and "Neither of us can get to heaven unless the other one gets in," somewhere. Ah, here's the latter, in Ann Duray's coverage at Juxtapoz. I like the way the low-res original fits with the vinyl inkjet. Meanwhile, yow, Duray's also got a picture of a larger-than-life full-length of Terry Richardson. Roll that one back up.

mike_mills_known_juxtapoz.jpg

And then that huge pink and white image up top on the opposite wall is also by Mills. Before the Known guy could look them up for me, I found the images on Mills' website; they're all from a 2004 show at the Mu Museum in Eindhoven titled, Not How When or Why But Yes.

Mills mentions the "cross-disciplinary work" of Charles Eames as an influence, but then only mentions furniture, "architecture, films, exhibitions and toys," not art per se. And he's expressed some wariness toward the gallery-centered confines of the art market. Though he's since married Miranda July, who has since been making sculptures that have turned up in public venues, the Biennale, etc.

mike_mills_mu_museum_inst.jpg

Which, it's not clear how he considers these awesome prints, but I bet he'd not think they're art objects in the commodity sense, just large prints, souvenirs from the show that were too awesome to trash in Holland. And then what was that giant, plush reclining Buddha sticking his/her head out of that Mu Museum installation, right? D'oh, no way, scroll down to the last photo there. It's in the show and for sale, too! Rose really stored that thing for eight years? That's gotta be $10k right there. Impressive.

It's kind of interesting to see things outside the "gallery system," though, and how they're considered and discussed--and shown and priced and bought and sold. In the case of these murals, they're unique, and pretty cheap--$1,400 or so, and the big pink one's like $5,000. They roll up for easy storage.

One Man's Treasure [thehundreds.com]
Aaron Rose Fire Sale at Known Gallery [knowngallery]
Graffiti, Mike Mills, 2004 [mikemillsweb.com]
Not How When or Why But Yes,

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: July 14, 2012.

next older post:
Still Life With Untitled (MOCA Mercedes, After Mike D) Chains

next newer post:
Sforzian Acoustics

recent projects, &c.


sop_red_gregorg.jpg
Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

weeksville_echo_sidebar.jpg
"Exhibition Space"
Mar 20 - May 8 @apexart, NYC


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


drp_04_gregorg_sidebar.jpg
Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

czrpyr_blogads.jpg
Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

archives