Like other friends who regularly

Like other friends who regularly add to their websites, I've been reticent to post during the week. From the standpoint of this site, it was a fairly easy decision; this journal is meant to document a film project I re-started in July. From a personal standpoint, it's been more difficult. After the quest to find out whether people you know are alright or not, the events of the last few days gave me pause, causing me to question the value or importance or priority of the things that occupied my time and attention. An architect friend wrote of being told architects weren't needed right now; Fran Liebowitz just mentioned on NPR that she's a "luxury item," unneeded in a situation like this. How needed is a documentary about farmers and rural small businessmen? Finally, the reality of the last few days made the question of posting moot; any idea of watching my footage was displaced by watching the news. Any attempt to think about the film was thwarted by thoughts of more immediate surroundings, people, and things.


That said, architecture, writing, filmmaking, art--these are inextricable elements of the culture and civilization we live in; the desire to participate in this culture, to contribute to it, to create something that will connect with others and extend/live beyond us doesn't change in a day. In the Times this week, more than one image of the rescue operation reminded me of the work of photographer, Andreas Gursky. The ephemeral work of Gabriel Orozco also came to mind, specifically this photo of the NY skyline. [Note: read the review linked there, too. interesting] The types of activities that may momentarily seem superfluous may also be the ones that gauge the health of the civilization we enjoy and (now) defend.


The primacy of family, friendships, inter-human relationships also survived the events this week. Exploring these ties and what shapes and forms personal relationships take both subject and object of the film project I'm working on. If anything, the experience of searching out friends and colleagues, of responding to messages and emails from concerned people around the world, and the unexpected generosity and awareness New Yorkers show each other on the streets all steel my resolve to continue the film project. Stay tuned, and thank you again for your concern, feedback, interest and questions.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

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first published: September 15, 2001.

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Madoff Provenance Project in
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It Narratives, incl.
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TheRealHennessy Tweets Paintings, 2014 -
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Standard Operating Procedure
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CZRPYR2: The Illustrated Appendix
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YES RASTA 2:The Appeals Court
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Complete Illustrated Appendix (2013)
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HELP/LESS Curated by Chris Habib
Printed Matter, NYC
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Destroyed Richter Paintings, 2012-
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Canal Zone Richard
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