Had the first reading of the script with the main actors (more about them later) to see how they fit/relate to the parts. It was unexpectedly nervewracking to hear the words I wrote being read by someone else as their own words. Would it suck? Would it sound likeme talking to myself?
Turns out, it felt and sounded good. As they settled into the roles, and we talked about the characters between readings, they kept getting better and better. By building familiarity with the characters, not just the words, the actors started getting into the roles. Interesting process. And the presence of outsiders (i.e., people other than me) who didn't cringe or seem to struggle for something to say was also encouraging.
On another front: I put together a detailed list of locations and corresponding shots. It included time estimates for each setting and getting each shot. THIS then rolled up into a shooting schedule, which is D*#M tight! We're looking at shoehorning 30.5 hours of shooting (including setup) into 4 days. Given the sunrise/sunset in France in February, and the difficulty shooting outdoors when the sun's at strong angles (early and late), there's not really 7.5 hours/day available. It'll be close. stay tuned. Fortunately, we don't have any Project Greenlight-style swimming scenes.
