Graydon Carter better get a haircut. According to this Observer article, he may be due in court, to explain why his first film, The Kid Stays In The Picture, the Robert Evans story, is reminiscent of, inspired by, slightly similar to an utter appropriation of the 15-minute film director David Weisman's made as a pitch for an Evans documentary. If your tendency is to dismiss such claims as weak attempts at coattail-riding, please reserve your judgment until Carter explains his "the producer thanks" credit for Hector Babenco, the director of Kiss of the Spider Woman. Brilliant story. [Read my first KSITP post, and listen to an excerpt from the, ahem, addictive audiobook.]
Film Credits
recent projects, &c.
Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017
Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28
Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings
Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016
eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose
It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford Sept 5 - Nov 9, 2014
about | link
TheRealHennessy Tweets Paintings, 2014 -
about
Standard Operating Procedure
about | buy now, 284pp, $15.99
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99
"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots
HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.
Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC
Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99
