Libeskind's Uncomfortable Wedgie of Light

A controversy is brewing over Daniel Libeskind's design for the WTC site, which is moving, rapidly and significantly, from what he'd originally proposed--and won with. The NYTimes' Edward Wyatt is on top of things. Yesterday, he reported on a study which showed one of the Libeskind design's core elements, the Wedge of Light--a zone where unobstructed sunlight shone in between his buildings every Sept. 11th morning--was a physical impossibility. Busted, Libeskind tried to pretend that, all along, the Wedge wasn't literal but metaphorical. From someone whose design is based on making symbolism and metaphor into the literal and physical, it's an unconvincing crock.

Today, Wyatt collects some other opinions, including one from "Dream Team" member, Richard Meier (himself no slouch in the not-coming-clean-about-your-WTC-design department), who asks, "How could you not take it literally?" (Remember, a Liberty Wall, symbolizing the Constitution and a 1,776-foot tower are the other major elements of the design.) In addition to the collapsed tower fragment-shaped, tic-tac-toe buildings, the Dream Team proposal included a garden of trees and lights,in the shape of the Twin Towers' shadows, which would have extended across the World Financial Center and into the Hudson. It was a moving design; I hope they'll pony up $25 and enter it in the memorial competition.

Other changes Libeskind's made so far: making room for the MTA's bus station by shortening his foundation wall from 7 stories to 3 (roughly the depth of the Rockefeller Center skating rink), placing said bus station under the designated Memorial site, encasing said wall in a "glazed screen," and cantilevering his museum over the footprint of the North Tower. Maybe these were all part of his winning proposal. Why not ask Libeskind about that?

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: May 2, 2003.

next older post:
Tina's Pity She's A Horse

next newer post:
On First Films

recent projects, &c.


our_guernica_cycle_ivanka_320px_thumb.jpg
Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017


pm_social_medium_recent_proj_160x124.jpg
Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

madf_twitter_avatar.jpg
Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

chop_shop_at_springbreak
Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016

do_not_bid_or_buy_iris_sidebar.jpg
eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

shanzhai_gursky_mb_thumb.jpg
It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

therealhennessy_tweet_sidebar.jpg
TheRealHennessy Tweets Paintings, 2014 -
about

sop_red_gregorg.jpg
Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

weeksville_echo_sidebar.jpg
"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


drp_04_gregorg_sidebar.jpg
Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

czrpyr_blogads.jpg
Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

archives