Looking at Tall Buildings

united_arch_moma.jpg, image: MoMA via nytimes.com
A correction: Reading Herbert Muschamp's review of MoMA's "Tall Buildings" show, which includes the United Architects proposal for the WTC site. [The 'Dream Team' proposal is in there, too, but I've said all I'll say about that.]

Coming after the pissed-to-be-publicly-accountable Meier, United Architecture's proposal was surprisingly moving that morning in Dec.2002. They had made a video (it's still on their site) with cuts of all kinds of happy shiny people looking up from the street, pointing at the new buildings, "like," I said, "they used to do." But it's not really true.

Unless you were a tourist wanting to get fleeced, or you needed to get your bearings, you didn't come out of the subway and look up at the World Trade Center, and you sure didn't point.

Except on that morning. It just occurred to me that Farenheit 9/11 opened with shots of people staring, looking up, pointing. Like an uninsidious version of the Dream Team, United Architects unconsciously incorporated the attacks themselves into its presentation.

Conceived after September 11th, in case the world needed a reminder, "Tall Buildings" makes the complicated psychic and emotional power of skyscrapers as its jumping off point. Which is about as complicated a phrase as I can come up with.

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

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first published: July 16, 2004.

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