2046 barely screened at Cannes, after the director hand-carried the not-quite-finished print to the rebooked theatre. Now it's being released in the UK, and it turns out Wong has actually re-edited it since May.
Read Howard Feinstein's interview with WKW and his recounting of the tortured making of in the Guardian
"It was like being in jail" [Guardian UK]
Related: I, too, delivered an unfinished film to Cannes, a fact I mention because of the deep, meaningful resonance between Wong Kar Wai's films and career and my own.
