On Seven Days In May

I cannot get me enough of John Frankenheimer. Last week, I stayed up way too late when Ronin came on at 1AM. While reading an interview with David Talbot, who just published a disturbing book about Robert Kennedy and the internal battles the Kennedy Administration fought against the right-wing Military Industrial Complex crowd, he mentioned the novel, Seven Days In May. Talbot says that Kennedy wanted the novel--a bestseller about a military plot to overthrow the President--made into a movie "not only as a shot across the bow to the generals but also as a warning to the American people."

Frankenheimer shot Seven Days with Kirk Douglas, Burt Lancaster and Ava Gardner in 1963, just a year after The Manchurian Candidate came out. What's most amazing to me--well, where to start?--is the way certain parts of the film were shot over the military's obvious opposition.

Kennedy aide Pierre Salinger wrote that the President "conveniently arranged" to be out of the White House for a weekend when Frankenheimer needed to shoot, as if the only objection to be raised was one of logistics. Meanwhile, for at least two shots, Frankenheimer shot around the Pentagon's non-cooperation by surreptitiously filming his actors boarding an aircraft carrier and entering the Pentagon itself. It just blows my mind to imagine this happening today. Never mind that the US military was fully onboard with helping make The Transformers for some reason.

imdb data, also Seven Days In May production stories [wikipedia]
David Talbot Interview: Don't Call It A Conspiracy - The Kennedy Brothers [10zenmonkeys.com]

Since 2001 here at greg.org, I've been blogging about the creative process—my own and those of people who interest me. That mostly involves filmmaking, art, writing, research, and the making thereof.

Many thanks to the Creative Capital | Warhol Foundation Arts Writers Program for supporting greg.org that time.

comments? questions? tips? pitches? email
greg [at] greg [dot ] org

find me on twitter: @gregorg

post info

first published: July 19, 2007.

next older post:
Once You Have Lack, You Never Go Back

next newer post:
Cabinet 26: "Perspective Correction"

recent projects, &c.


our_guernica_cycle_ivanka_320px_thumb.jpg
Our Guernica Cycle, 2017 –
about/kickstarter | exhibit, 2017


pm_social_medium_recent_proj_160x124.jpg
Social Medium:
artists writing, 2000-2015
Paper Monument, Oct. 2016
ed. by Jennifer Liese
buy, $28

madf_twitter_avatar.jpg
Madoff Provenance Project in
'Tell Me What I Mean' at
To__Bridges__, The Bronx
11 Sept - Oct 23 2016
show | beginnings

chop_shop_at_springbreak
Chop Shop
at SPRING/BREAK Art Show
curated by Magda Sawon
1-7 March 2016

do_not_bid_or_buy_iris_sidebar.jpg
eBay Test Listings
Armory – ABMB 2015
about | proposte monocrome, rose

shanzhai_gursky_mb_thumb.jpg
It Narratives, incl.
Shanzhai Gursky & Destroyed Richter
Franklin Street Works, Stamford
Sept 5 - Nov 9, 2014
about | link

therealhennessy_tweet_sidebar.jpg
TheRealHennessy Tweets Paintings, 2014 -
about

sop_red_gregorg.jpg
Standard Operating Procedure
about | buy now, 284pp, $15.99

CZRPYR2: The Illustrated Appendix
Canal Zone Richard Prince
YES RASTA 2:The Appeals Court
Decision, plus the Court's
Complete Illustrated Appendix (2013)
about | buy now, 142pp, $12.99

weeksville_echo_sidebar.jpg
"Exhibition Space" @ apexart, NYC
Mar 20 - May 8, 2013
about, brochure | installation shots


HELP/LESS Curated by Chris Habib
Printed Matter, NYC
Summer 2012
panel &c.


drp_04_gregorg_sidebar.jpg
Destroyed Richter Paintings, 2012-
background | making of
"Richteriana," Postmasters Gallery, NYC

czrpyr_blogads.jpg
Canal Zone Richard
Prince YES RASTA:
Selected Court Documents
from Cariou v. Prince (2011)
about | buy now, 376pp, $17.99

archives